Archive for the 'Television' Category

Shakespeare Anagram: A Midsummer Night’s Dream

Saturday, April 6th, 2013

From A Midsummer Night’s Dream:

A play there is, my lord, some ten words long,
Which is as brief as I have known a play;
But by ten words, my lord, it is too long,
Which makes it tedious.

Shift around the letters, and it becomes:

My mood? Vocal Roger Ebert had a symbiotic relationship with dry Gene Siskel, then shone solo.

If it was thumbs up or down, it was always kindly.

Shakespeare Uncovered Website

Wednesday, March 20th, 2013

I promised to let you know when the Shakespeare Uncovered website was up. It is, and it’s a fantastic resource all Shakespeare teachers should know about.

First of all, you can actually watch full episodes of the series online. So even if you missed out the first time, it’s all there waiting for you now.

The Education section, the part where I contributed, boasts a collection of fantastic lesson plans on Shakespeare that use clips from the television show in class. The lessons are relatively short, so they can either be used on their own or worked into longer Shakespeare units you may already be planning. And if you want to see the bios for all of the members of the Advisory Board, you can find them here (mine is the fifth one down).

The series may be over, but the website is the gift that keeps on giving. So head on over to watch the show, play the games, and teach the lessons!

Shakespeare Uncovered

Wednesday, January 23rd, 2013

I hope you’re as excited as I am for Shakespeare Uncovered, “a new six part PBS series combining history, biography, iconic performances, new analysis and the personal passion to tell the story behind the stories of Shakespeare’s greatest plays.”

I served as a member of an Advisory Board convened by the producing station—New York City’s WNET—to help develop a comprehensive suite of free online educational resources based on the series, which I’m told will soon be available to high school educators on the series website. I’ll post another link once they’re up.

The series premieres this Friday, January 25th. In the first episode, Ethan Hawke takes us on a dark and dangerous journey through the psychology, history, and artistry of Shakespeare’s Macbeth. Watch Hawke make breakthroughs in his understanding of the character he’s always wanted to play, even as he accidentally damages a priceless First Folio on camera. Travel to Dunsinane to see what we can discover about this historic setting. Explore the relationship between the Macbeths and peer into the minds and hearts of killers. Learn about how the passions, words, and themes of Shakespeare are relevant to our lives even today.

Sounds pretty sweet, right? And that’s just the first episode. Whether you’re interested in the poetry, history, or biography of Shakespeare, you won’t want to miss this series. Check your local PBS listings for dates and times of the rest of the episodes.

Watch Macbeth with Ethan Hawke on PBS. See more from Shakespeare Uncovered.

Eating Ambrosia on Mount Olympus

Sunday, December 30th, 2012

As the year is winding down, I’m looking back over the last twelve months of Shakespeare Teacher to prepare for the annual Top Ten Posts list, which will be up tomorrow. I admit that this has not been my most prolific year, but I’ve been extremely busy. Busyness is often cited as a complaint, but I have no complaints. Rather, my busyness has been the result of having too many opportunities that were too good to pass up. Why then, can one desire too much of a good thing?

One of the things that has been occupying my time has been a new graduate-level course I’m teaching for NYU on evaluation for school administrators. I didn’t know I’d be teaching it until the course actually started, so I’ve been burning the candle at both ends trying to stay prepared each week. The effort has been worthwhile, as the students have been giving glowing feedback to the department, and I’ve been hired to teach it again in the spring. I’ll also be teaching my regular course for English teachers on using drama as a teaching tool, so I should still be pretty busy… the good busy, but busy nevertheless.

Still, I’d like to be using the blog to write about the things that I’m doing and to process what I’m learning while I’m doing them. I haven’t been doing that, and my New Year’s Resolution is to return to doing that. So busyness isn’t an excuse to avoid writing; it should be a call to write. Readers have continued to enjoy the regular features, and I’ve enjoyed writing them, but they were never what this blog was supposed to be about. I recently had one experience in particular that I’ve regretted not taking the time to share with the readers of this website, so I’d like to do so now. Better late than never.

Thirteen (WNET) has produced a series called Shakespeare Uncovered which will premiere on PBS stations on January 25. I had nothing to do with the creation of the series, but Thirteen asked me to sit on an advisory board to consult on the educational outreach component that accompanies their programming. So far, this has consisted of previewing the series and having a day-long meeting with Thirteen educators and other members of the advisory board.

I was excited enough to work with Thirteen and on teaching Shakespeare no less, but when I found out who the other members of the board were going to be, I was floored. These are my teaching Shakespeare heroes, some of whom I’ve met through my dealings with the Folger, others of whom I know by reputation. My claim to fame, on the other hand, is that I snatched a good Internet domain name when the snatching was good. But I think my enthusiasm for the subject matter made up the difference. Having the chance to spend an entire day discussing the teaching of Shakespeare with a team of experts was like being invited to eat ambrosia on the top of Mount Olympus. And I’ve been yearning to tell you about it ever since.

By the way, the Shakespeare Uncovered series is amazing, and you should watch it when it airs. If you’re into Shakespeare, you’ll appreciate all of the different angles the series covers. And if you’re not a Shakespeare fan, you may come to understand why some of us are.

I had hoped that this post wouldn’t come off as too self-critical or apologetic. But now that I read over it, it comes off as one big humblebrag. I can live with that. The Top Ten list will be posted tomorrow.

Top Ten Shakespeare Retrochronisms

Wednesday, October 3rd, 2012

Don’t worry if you don’t know what a retrochronism is. I just made the word up. But feel free to throw it around at the dinner table and the water cooler; it’s a thing now.

Let’s say an author from an earlier time period uses a term in a sense that’s appropriate to that author’s time period. Then, the author dies and the language evolves. New technologies are invented. Culture shifts. Later readers or audiences then interpret the term as used by the author through the lens of their own time period, and incorrectly think it means something entirely different from what the author could have possibly intended. That’s a retrochronism!

This is not to be confused with an anachronism, a term generally used to describe instances where an author uses something from his own time in a work that is set before that thing would have been possible or appropriate. Shakespeare has many such anachronisms, such as the clock striking in Julius Caesar. But a retrochronism is different. It isn’t a mistake by the author; it’s an accident of history.

We’ve had 400 years now to develop a few good examples for Shakespeare. The quintessential example is from Romeo and Juliet:

JULIET: O Romeo, Romeo! wherefore art thou Romeo?

Most readers of this blog probably know that “wherefore” means “why” and not “where.” But this is far from obvious, and many newcomers to Shakespeare, entering his world through this play, assume she’s searching for him from her balcony. Who says “wherefore” anymore?

Another common example can be found in Hamlet:

HAMLET: Madam, how like you this play?

QUEEN: The lady doth protest too much, methinks.

HAMLET: O! but she’ll keep her word.

In Shakespeare’s time, “protest” meant to promise. But today we think of it in the opposite sense of a denial. So when people quote the line, they often mean that a person is denying something so much that it must be true. But Gertrude meant that the lady was promising so much that it must be false!

Those two examples are probably the most well known, but below are my ten favorites, culled from years of introducing kids to Shakespeare and from my own journey of working through the language.

TEN. Was Doll Tearsheet a One-Percenter?

DOLL: A captain! God’s light, these villains will make the word captain as odious as the word ‘occupy,’ which was an excellent good word before it was ill sorted: therefore captains had need look to it.

Playgoers who have attended productions of Henry IV, Part Two in the past year must have been taken aback by this statement, possibly even suspecting editorial interference for political purposes.

But in Shakespeare’s time, the word “occupy” was slang for having sex with someone. It’s enough to make you wonder what was really going on at Zuccotti Park after hours.

NINE. Did the Witches prophesy Kitty Hawk?

FIRST WITCH: Here I have a pilot’s thumb,
Wrack’d as homeward he did come.

Most modern audiences are familiar with the word “pilot” as meaning someone who flies an airplane, obviously not what Shakespeare meant in Macbeth.

The word “pilot” meant (and still means) someone who steers a ship.

EIGHT. Was Lord Capulet a pimp?

CAPULET: What noise is this? Give me my long sword, ho!

Here is one that comes up often when working with kids; this example from Romeo and Juliet is as good as any. Shakespeare had a lot of words for “prostitute,” but “ho” was not among them.

If you bring your voice up on the word, it’s an antiquated expression of zeal. If you bring it down, it’s a contemporary form of derisive address. Voices up, please.

SEVEN. Was Bottom a Lea Michele fan?

BOTTOM: Nay, I can gleek upon occasion.

Folks who are “Glee Geeks” might enjoy imagining Nick Bottom from A Midsummer Night’s Dream as one of them. He admitted he can “gleek” after all.

Sure, I’m being a little silly with this one, but why not? “Gleek” means to joke around.

SIX. Did Olivia have some work done?

OLIVIA: We will draw the curtain and show you the picture. [Unveiling.] Look you, sir, such a one I was as this present: is’t not well done?

VIOLA: Excellently done, if God did all.

OLIVIA: ’Tis in grain, sir; ’twill endure wind and weather.

Viola’s quip “if God did all” can set a Twelfth Night audience roaring if delivered just so. Does Viola suspect a little Nip/Tuck help is behind Olivia’s epic beauty?

Don’t start fitting Dr. 90210 for a doublet and hose just yet. Viola is merely making a reference to cosmetics.

FIVE. Was Hamlet a fan of Wayne’s World?

HAMLET: I did love thee once.

OPHELIA: Indeed, my lord, you made me believe so.

HAMLET: You should not have believed me; for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not.

Again, this one came from the kids, though it was more common back in the ’90’s, when Wayne and Garth had more of an effect on the language.

Think of the line from Hamlet (and similar lines throughout the canon) as being delivered like this: “I loved you… NOT!” Yeah, they really used to do that… I kid you not.

FOUR. Was Feste creating a hostile work environment?

MARIA: Nay, either tell me where thou hast been, or I will not open my lips so wide as a bristle may enter in way of thy excuse. My lady will hang thee for thy absence.

CLOWN: Let her hang me: he that is well hanged in this world needs to fear no colours.

MARIA: Make that good.

CLOWN: He shall see none to fear.

Well hanged? Oh, no he didn’t!

Well, no he didn’t. It’s usually a safe bet to assume that any possible sexual innuendo was intended by Shakespeare, but Twelfth Night pre-dates the earliest known uses of the expression “well hung” to refer to a generous anatomical endowment. Plus, in the next line, Feste makes it clear he’s literally referring to a hanging. If the sexual pun were intended, why would Shakespeare have backed off the joke?

THREE. Did Ariel suffer from low self-esteem?

ARIEL: Where the bee sucks, there suck I.

Ouch. It’s not hard to convince high-school students that Shakespeare’s characters do, in fact, suck. But would Shakespeare have said so in The Tempest?

No. Bees, you see… eh, go ask your father.

TWO. Did the Porter invent a new art form?

PORTER: Knock, knock! Who’s there i’ the other devil’s name! Faith, here’s an equivocator, that could swear in both the scales against either scale; who committed treason enough for God’s sake, yet could not equivocate to heaven: O! come in, equivocator.

Rather than answering the knocking at the door, the Porter from Macbeth imagines himself as the Porter at the gates of Hell, and does some schtick about the various characters he might meet in that position. The expression “Knock Knock, Who’s there” is used to introduce new characters in his standup routine.

But if you’re expecting him to answer “Ophelia,” you’re going to have a long wait. The Knock-Knock joke as we know it is a twentieth-century creation.

ONE. Is Dromio of Syracuse a pothead?

DROMIO S: I am transformed, master, am not I?

ANTIPHOLOUS S: I think thou art, in mind, and so am I.

DROMIO S: Nay, master, both in mind and in my shape.

ANTIPHOLOUS S: Thou hast thine own form.

DROMIO S: No, I am an ape.

LUCIANA: If thou art chang’d to aught, ’tis to an ass.

DROMIO S: ’Tis true; she rides me and I long for grass.

Zing! Dromio’s jonesing for some weed! The Comedy of Errors is a drug play!

But not really. Dromio just longs for the freedom of greener pastures. Grass means grass, baby. However, the “she rides me” part probably does mean what you think it means.

So those are my ten favorite retrochronisms from Shakespeare. Did I miss any? Feel free to add to the list!

No-S Reporter = Retro-person

Monday, August 20th, 2012

Speaking of palindromes, I’ve been seeing a really good one making the social media rounds:

Wonder if Sununu’s fired now.

This is in response to the following interview he did with Soledad O’Brien, which I wish every voter in America could see:

Shakespeare Anagram: King Lear

Saturday, August 18th, 2012

From King Lear:

The usurer hangs the cozener.
Through tatter’d clothes small vices do appear;
Robes and furr’d gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks;
Arm it in rags, a pigmy’s straw doth pierce it.

Shift around the letters, and it becomes:

Drug corps and Wall Street just heave cash to Congress which then makes shady laws for them. Mitt has paid thirteen percent, or as little as zero. Super PACs run horrid or frightening ads.

O, but I don’t begrudge. It’s all legal.

Earthquakes, Hurricanes, Floods, and Tornadoes

Sunday, August 28th, 2011

Okay, so I missed the riddle this week. I do apologize, but I’ve been constantly besieged by natural disasters of biblical proportions. Sort of.

I was actually in Virginia for the earthquake. I’ve spent the last week vacationing with my family, visiting Jamestown and Williamsburg and the like. On Tuesday, we were at Busch Gardens, and when the group split into different factions, I took the opportunity to set off on my own for a while. I went to go see the Pirates “4-D” movie. A “4-D” movie is like a 3-D movie, except they shake your seat and squirt water at you at appropriate moments in the film. It has nothing to do with the fourth dimension, but it’s fun all the same. At one point, the whole theatre shook from side to side, which I thought was pretty cool, but I later learned that I was actually at the epicenter of a 5.8-magnitude earthquake. It even kind of fit with what was going on in the movie, so I just enjoyed it as part of the show.

After I left the theatre, I ran into my nephew Ian (age 7), accompanied by Dave, a family friend. Dave told me that there had been some kind of earthquake, and that all of the rides were shut down. I assumed that this was a story Dave told Ian to get a break from the roller coasters, so I gave him a knowing smile and went along with the charade. It’s worth noting that, at this point, I had both felt the earthquake and had been told there was an earthquake, and still I did not know there had been an earthquake.

Pretty soon, however, it became hard for even me to stay in the dark, as reports of the unusual phenomenon spread rapidly. It stayed big news for a day or two, but was just as quickly overshadowed by news of an impending hurricane. Hurricane Irene was expected to sweep up the Eastern seaboard and hit New York City by Saturday night. I decided to cut my trip short a day and head back home a bit early. My train was delayed a bit because of flooding below Washington, D.C., but my trip was largely uneventful and I made it back to New York City in time to do some grocery shopping and put my earthly affairs in order.

As I settled in for a grocery-enhanced night of a Kill Point marathon sporadically interrupted by checking online weather maps, I learned of an impending Tornado Watch for New York City. Really?

Anyway, there was no tornado, and not even really a hurricane. Irene was downgraded to a tropical storm before it hit here, and even by that standard, it was pretty mild. I had no interruptions of power or Internet, and could only occasionally hear the rustling of wind outside my window. I did make it through the entire series of The Kill Point, which was about a hostage standoff in a bank, so that was pretty exciting, but that was about it. I can’t say I’m disappointed, but I’m not feeling all that relieved either.

Mostly, I’m disappointed that I missed a riddle, which usually means I’ve been neglecting the blog for too long. I think I’m about ready to return. This week, I survived earthquakes, hurricanes, floods, and tornadoes, so I’m feeling pretty unstoppable. That’s right, Mother Nature, if you want a piece of this, next time you best bring a FREAKIN’ VOLCANO.

Feel free to post relevant quotes from King Lear in the comments. The Shakespeare Teacher is back.

It’s Funny Because It’s Not Funny

Sunday, March 6th, 2011

I recently saw a particularly poignant piece of graffito etched on a friend’s Facebook wall:

A public union employee, a tea party activist and a CEO are sitting at a table with a plate of a dozen cookies in the middle of it. The CEO takes 11 of the cookies, turns to the tea partier and says, “Watch out for that union guy. He wants a piece of your cookie.”

And while this might easily refer to any number of anti-labor sentiments, it seems most appropriate as a reaction to the current – inexplicable – War on Teachers that has been raging in the media lately.

If you haven’t seen last Thursday’s Daily Show, you really need to go watch it. In a brilliant piece at the top of the show, Jon Stewart demonstrates the hypocrisy of the right-wing talking heads when talking about teachers. Later, he interviews education truth-teller Diane Ravitch, who lays out the rest of the argument.

If you want to understand the conversations surrounding education reform, then – as Tom Tomorrow says in this week’s strip – that’s all you need to know.

It’s a Poor Workman Who Blames Yogi Berra: Artificial Intelligence and Jeopardy!

Wednesday, February 23rd, 2011

Last week, an IBM computer named Watson beat Ken Jennings and Brad Rutter, the two greatest Jeopardy! players of all time, in a nationally televised event. The Man vs. Machine construct is a powerful one (I’ve even used it myself), as these contests have always captured progressive imaginations. Are humans powerful enough to build a rock so heavy, not even we can lift it?

Watson was named for Thomas J. Watson, IBM’s first president. But he could just as easily have been named after John B. Watson, the American psychologist who is considered to be the father of behaviorism. Behaviorism is a view of psychology that disregards the inner workings of the mind and focuses only on stimuli and responses. This input leads to that output. Watson was heavily influenced by the salivating dog experiments of Ivan Pavlov, and was himself influential in the operant conditioning experiments of B.F. Skinner. Though there are few strict behaviorists today, the movement was quite dominant in the early 20th century.

The behaviorists would have loved the idea of a computer playing Jeopardy! as well as a human. They would have considered it a validation of their theory that the mind could be viewed as merely generating a series of predictable outputs when given a specific set of inputs. Playing Jeopardy! is qualitatively different from playing chess. The rules of chess are discrete and unambiguous, and the possibilities are ultimately finite. As Noam Chomsky argues, language possibilities are infinite. Chess may one day be solved, but Jeopardy! never will be. So Watson’s victory here is a significant milestone.

Much has been made of whether or not the contest was “fair.” Well, of course it wasn’t fair. How could that word possibly have any meaning in this context. There are things computers naturally do much better than humans, and vice versa. The question instead should have been in which direction would the unfairness be decisive. Some complained that the computer’s superior buzzer speed gave it the advantage, but buzzer speed is the whole point.

Watson has to do three things before buzzing in: 1) understand what question the clue is asking, 2) retrieve that information from its database, and 3) develop a sufficient confidence level for its top answer. In order to achieve a win, IBM had to build a machine that could do those things fast enough to beat the humans to the buzzer. Quick reflexes are an important part of the game to be sure, but if that were the whole story, computers would have dominated quiz shows decades ago.

To my way of thinking, it’s actually the comprehensive database of information that gives Watson the real edge. We may think of Ken and Brad as walking encyclopedias, but that status was hard earned. Think of the hours upon hours they must have spent studying classical composers, vice-presidential nicknames, and foods that start with the letter Q. Even a prepared human might temporarily forget the Best Picture Oscar winner for 1959 when the moment comes, but Watson never will. (It was Ben-Hur.)

In fact, given what I could see, Watson’s biggest challenge seemed to be understanding what the clue was asking. To avoid the complications introduced by Searle’s Chinese Room thought experiement, we’ll adopt a behaviorist, pragmatic definition of “understanding” and take it to mean that Watson is able to give the correct response to a clue, or at least a reasonable guess. (After all, you can understand a question and still get it wrong.) Watching the show on television, we are able to see Watson’s top three responses, and his confidence level for each. This gives us remarkable insight into the machine’s process, allowing us a deeper level of analysis.

A lot of my own work lately has been in training school-based data inquiry teams how to examine testing data to learn where students need extra help, and that work involves examining individual testing items. So naturally, when I see three responses to a prompt, I want to figure out what they mean. In this case, Watson was generating the choices rather than simply choosing among them, but that actually makes them more helpful in sifting through his method.

One problem I see a lot in schools is that students are often unable to correctly identify what kind of answer the question is asking for. In as much as Watson has what we would call a student learning problem, this is it. When a human is asked to come up with three responses to a clue, all of the responses would presumably be of the correct answer type. See if you can come up with three possible responses to this clue:

Category: Hedgehog-Pogde
Clue: Hedgehogs are covered with quills or spines, which are hollow hairs made stiff by this protein

Watson correctly answered Keratin with a confidence rating of 99%, but his other two answers were Porcupine (36%) and Fur (8%). I would have expected all three candidate answers to be proteins, especially since the words “this protein” ended the clue. In many cases, the three potential responses seemed to reflect three possible questions being asked rather than three possible answers to a correct question, for example:

Category: One Buck or Less
Clue: In 2002, Eminem signed this rapper to a 7-figure deal, obviously worth a lot more than his name implies

Ken was first to the buzzer on this one and Alex confirmed the correct response, both men pronouncing 50 Cent as “Fiddy Cent” to the delight of humans everywhere. Watson’s top three responses were 50 Cent (39%), Marshall Mathers (20%), and Dr. Dre (14%). This time, the words “this rapper” prompted Watson to consider three rappers, but not three potential rappers that could have been signed by Eminem in 2002. It was Dr. Dre who signed Eminem, and Marshall Mathers is Eminem’s real name. So again, Watson wasn’t considering three possible answers to a question; he was considering three possible questions. And alas, we will never know if Watson would have said “Fiddy.”

It seemed as though the more confident Watson was in his first guess, the more likely the second and third guesses would be way off base:

Category: Familiar Sayings
Clue: It’s a poor workman who blames these

Watson’s first answer Tools (84%) was correct, but his other answer candidates were Yogi Berra (10%) and Explorer (3%). However Watson is processing these clues, it isn’t the way humans do it. The confidence levels seemed to be a pretty good predictor of whether or not a response was correct, which is why we can forgive Watson his occassional lapses into the bizarre. Yeah, he put down Toronto when the category was US Cities, but it was a Final Jeopardy, where answers are forced, and his multiple question marks were an indicator that his confidence was low. Similarly cornered in a Daily Double, he prefaced his answer with “I’ll take a guess.” That time, he got it right. I’m just looking into how the program works, not making excuses for Watson. After all, it’s a poor workman who blames Yogi Berra.

But the fact that Watson interpreted so many clues accurately was impressive, especially since Jeopardy! clues sometimes contain so much wordplay that even the sharpest of humans need an extra moment to unpack what’s being asked, and understanding language is our thing. Watson can’t hear the the other players, which means he can’t eliminate their incorrect responses when he buzzes in second. It also means that he doesn’t learn the correct answer unless he gives it, which makes it difficult for him to catch on to category themes. He managed it pretty well, though. After stumbling blindly through the category “Also on Your Computer Keys,” Watson finally caught on for the last clue:

Category: Also on Your Computer Keys
Clue: Proverbially, it’s “where the heart is”

Watson’s answers were Home is where the heart is (20%), Delete Key (11%), and Elvis Presley quickly changed to Encryption (8%). The fact that Watson was considering “Delete Key” as an option means that he was starting to understand that all of the correct responses in the category were also names of keys on the keyboard.

Watson also is not emotionally affected by game play. After giving the embarrassingly wrong answer “Dorothy Parker” when the Daily Double clue was clearly asking for the title of a book, Watson just jumped right back in like nothing had happened. A human would likely have been thrown by that. And while Alex and the audience may have laughed at Watson’s precise wagers, that was a cultural expectation on their part. There’s no reason a wager needs to be rounded off to the nearest hundred, other than the limitations of human mental calculation under pressure. This wasn’t a Turing test. Watson was trying to beat the humans, not emulate them. And he did.

So where does that leave us? Computers that can understand natural language requests and retrieve information accurately could make for a very interesting decade to come. As speech recognition improves, we might start to see computers who can hold up their end of a conversation. Watson wasn’t hooked up to the Internet, but developing technologies could be. The day may come when I have a bluetooth headset hooked up to my smart phone and I can just ask it questions like the computer on Star Trek. As programs get smarter about interpreting language, it may be easier to make connections across ideas, creating a new kind of Web. One day, we may even say “Thank you, Autocorrect.”

It’s important to keep in mind, though, that these will be human achievements. Humans are amazing. Humans can organize into complex societies. Humans can form research teams and develop awesome technologies. Humans can program computers to understand natural language clues and access a comprehensive database of knowledge. Who won here? Humanity did.

Ken Jennings can do things beyond any computer’s ability. He can tie his shoes, ride a bicycle, develop a witty blog post comparing Proust translations, appreciate a sunset, write a trivia book, raise two children, and so on. At the end of the tournament, he walked behind Watson and waved his arms around to make it look like they were Watson’s arms. That still takes a human.

UPDATE: I’m told (by no less of an authority than Millionaire winner Ed Toutant) that Watson was given the correct answer at the end of every clue, after it was out of play. I had been going crazy wondering where “Delete Key” came from, and now it makes a lot more sense. Thanks, Ed!