Archive for the 'Visual Arts' Category

Film: Anonymous

Sunday, November 13th, 2011

I went to see Anonymous, the new Roland Emmerich film questioning the authorship of Shakespeare’s plays, with cautious anticipation. What I was not expecting was to be thoroughly entertained by a period-piece thriller fantasy, but I was! I loved this movie, and can’t wait to go see it again. Seriously.

Let’s set aside the question of whether or not the film is accurate. The film is wildly inaccurate. The notion that Shakespeare didn’t write the plays is not even the most egregious speculation offered by John Orloff’s cheeky screenplay. If anyone wants to stand outside the theatre and argue that, yes, this is all true, they should be treated about as seriously as someone making that claim about Star Wars or Waiting for Superman. But inside the theatre, we have license to suspend our disbelief. Call it historical fiction, alternate timeline, sci-fi fantasy, or whatever helps the medicine go down, but don’t miss Anonymous for political reasons.

The film is based on the premise that the plays we know as William Shakespeare’s were actually written by Edward De Vere, 17th Earl of Oxford. Unable to claim the plays as his own in a treacherous climate, he asks established playwright Ben Jonson to put his name on them. Jonson wants to keep his voice distinct from the nobleman’s, so an illiterate actor, one William Shakespeare, steps forward and claims the glory. Political maneuverings surrounding the question of who will succeed the aging Queen Elizabeth I create tension for Oxford, who finds that he can speak directly to the people through the voice of his celebrated front man. You see? It all makes perfect sense.

The visual depiction of Elizabethan London is stunning and believable. Rhys Ifans and Sebastian Armesto give outstanding performances as Oxford and Jonson. Vanessa Redgrave and Joely Richardson (her daughter) together create a powerful mutli-dimensional Elizabeth. If you can stomach the depiction of our beloved William Shakespeare as an opportunistic buffoon, he is played to comic perfection by Rafe Spall. But if it does bother you, please remember that Shakespeare himself is largely responsible for our present day image of King Richard III as a deformed child-murderer. Payback’s a bitch, Billy-Boy.

But his own depiction aside, I think Shakespeare is honored by this film. A running theme throughout the movie is that these simple words have the power to delight and to inspire, to incite riots and to seduce monarchs. Will some people come away with the idea that Shakespeare was a fraud? Maybe. But for every audience member who gets that impression, there will be another ten who are moved to find out more about these plays and poems. We get to hear quite a bit of the original language spoken by the magnificent Mark Rylance as Richard Burbage, and the see the power it wields. That’s the transcendent truth that rises above all of the fabrications. And that, ultimately, is what we take away from Anonymous.

Digital Shakespeare Update

Saturday, March 19th, 2011

I met with my middle-school classes on Thursday. They have finished reading the plays, and we were able put together plans for our Digital Shakespeare projects. Plans may change, and who knows what will happen as we head into test prep season, but here is where we have decided to go by the end of the year.

6th Grade The 6th grade class has decided to retell the story of Antony and Cleopatra via Cleopatra’s Facebook page. We are currently discussing what that will look like on our discussion forum, but some of the ideas discussed include status updates, wall posts, photos, and video snippets of students performing scenes from the original play that might have been “uploaded” by characters. We even have a student who knows how to create a mock-up Facebook page when all of the other work is done. This project has a lot of potential! “Marc Antony has changed his relationship status to Married. Dislike!”

7th Grade The 7th grade class is doing a stage production of Macbeth. The plan is to film each scene and create a website with embedded videos, along with student writing about the play and emendations linked from the text. Both teacher and students know this is a very ambitious project, but they have made a commitment to put the time in. If they do, this project will be phenomenal. If they don’t, or if circumstances intervene, it will be my job to make sure the end result does honor to the work they were able to put in. This is similar to a project I did with fifth-grade students years ago, but these students are a little older and the technology is so much better now. I really hope this happens.

8th Grade The 8th grade class will not be available to me much after testing season, since they typically get pulled out for various senior-related activities throughout June, but I think our idea is quite manageable in the time we have left. The students want to create a trailer for a non-existant movie version of As You Like It. Students are currently watching real movie trailers (which are easily accessible online) to notice what features they have in common. This will be one of those movie trailers you see in the theatre that tells you the whole story of the movie, so the final product will respect the play and demonstrate student comprehension as well.

I’ll continue to post updates about the projects here, and hope to share the final projects here as well. Needless to say, I’m very excited by the possibilities! Stay tuned…

It’s Funny Because It’s Not Funny

Sunday, March 6th, 2011

I recently saw a particularly poignant piece of graffito etched on a friend’s Facebook wall:

A public union employee, a tea party activist and a CEO are sitting at a table with a plate of a dozen cookies in the middle of it. The CEO takes 11 of the cookies, turns to the tea partier and says, “Watch out for that union guy. He wants a piece of your cookie.”

And while this might easily refer to any number of anti-labor sentiments, it seems most appropriate as a reaction to the current – inexplicable – War on Teachers that has been raging in the media lately.

If you haven’t seen last Thursday’s Daily Show, you really need to go watch it. In a brilliant piece at the top of the show, Jon Stewart demonstrates the hypocrisy of the right-wing talking heads when talking about teachers. Later, he interviews education truth-teller Diane Ravitch, who lays out the rest of the argument.

If you want to understand the conversations surrounding education reform, then – as Tom Tomorrow says in this week’s strip – that’s all you need to know.

Fifty Apps for the iPad

Sunday, January 9th, 2011

Last year, I wrote that I didn’t need an iPad, because I had an iPhone and a Macbook Air. I still have them both, and they are still working out great. But my nephews got iPads for the holidays, and this is how I bond with them, so I had to get an iPad too. How’s that for a rationalization?

But now that I’ve bought one, I’m glad I did, because it’s adding value in ways I hadn’t anticipated. True, it is basically an iPod Touch with a larger screen, but that larger screen makes a big difference. There are a lot of things I can technically do with my iPhone, but usually don’t because the screen size is too small. And I’m finding it easier to do those things on the iPad.

So here are the top ten things you can do on an iPhone or iPod Touch that you can do better on an iPad:

1. Watch: I’ve been carrying around movies and TV shows on my iPhone for years, but I’ve watched more on the iPad in the last couple of months than I ever watched on the little screen. The Videos app (Included) is the very first app on my iPad. But I’ve also signed up for accounts with Netflix (Free app + $7.99/mo.) and Hulu Plus (Free app + $7.99/mo.) that let me stream video content from their impressive libraries. The combined monthly cost is far, far less than the Cable TV I’m canceling. And apps for YouTube (Included) and ABC Player (Free) help establish the iPad as a truly flexible video viewer you can take anywhere.

2. Connect: The power of social media has risen incredibly in the past year, and the App Store (Included) has kept pace. There are a variety of apps to help keep you connected, but I use Reeder ($4.99) as my Google Reader client, Friendly (Free) as my Facebook client, and Twitter (Free) as my client to access the Twitter account I finally broke down and created so that I could follow the national conversation where it seems to have gone. You can also consolidate the three, and much more, in one app called Flipboard (Free), which formats the content into a friendly magazine layout for casual browsing. There is also a WordPress app (Free), which allows me to blog on the go, and Yahoo! Messenger (Free) – actually an iPhone app – which lets users exchange text messages and participate in voice chat. And the iPad Mail interface (Included), designed for the larger screen, is much easier to use than its iPhone counterpart.

3. Read: The biggest surprise for me on the iPad is how much I love my Kindle app (Free), which lets me download books from Amazon and read them on the iPad. And these are real books that I actually want to read, not the limited eBook selection available through Apple. However, there are a lot of places online to get free books in ePub format, which can then be imported into your iTunes library and read on iBooks (Free), so you should definitely get it. I’m a fan of Offline Pages ($4.99), which allows you to save websites (from the iPad or from your home computer) and read them on the iPad, even after you’re no longer connected to the Internet. I also highly recommend the Shakespeare Pro app ($9.99) if Shakespeare’s your thing, and the Newspapers app ($2.99), which lets you access local newspapers from across the country on a daily basis.

4. Play: Any game you can play on the iPhone, you can play on the iPad, either in the original size, or expanded to fit the screen (sometimes with the expected loss of quality). But the expanded real estate has given developers something to code about, so there is a whole spate of new games and revamped versions of old games at the ready. Plants vs. Zombies is the absolute best game to ever grace the iPhone, and Plants vs. Zombies HD ($6.99) is even better on the iPad. Games like Cover Orange HD ($0.99) and Cut the Rope HD ($1.99), which combine tricky puzzles with engaging animations, demonstrate a new level of what is possible in portable gaming. Even the simple games, like Saving Seeds HD ($0.99) or Aces Traffic Pack HD ($2.99), really make you feel like you’re using a next generation device. I was able to play GT Racing: Motor Academy ($0.99) with my two nephews, each of us on our own iPads, racing each other on the same track. This was cool on a level they could not possibly appreciate.

5. View: I’d be remiss if I didn’t discuss how viewing photos is better on the larger screen, obvious as it may be. The iPad has a built-in Picture Frame feature, which lets the device function as a digital picture frame when it’s not otherwise in use. There are also apps that take advantage of the view, like Beautiful Planet HD ($0.99) that shows high-quality images from across the globe, and The Guardian Eyewitness (Free), which shows a different news photo every day. And The Elements ($13.99), the flagship app of the iPad, is everything it’s hyped to be: an interactive periodic table in which you can rotate high-quality 3D images of each of the elements. But it does take up almost 2GB of storage space, so don’t even bother with it if you’re only working with 16GB.

6. Work: The iPad is expensive to begin with, so it seems worth it to me to invest just a bit more in the iWork suite – Pages ($9.99), Numbers ($9.99), and Keynote ($9.99) – to add value to your device. I’ve also become fond of GoodReader ($2.99), which reads PDF files, and Teleprompt+ ($9.99), which allows you to load up text documents from your desktop and use the iPad as your own portable teleprompter. Try that with an iPhone.

7. Organize: I’ve actually not had a problem with the Calendar app on the iPhone, but the iPad’s Calendar interface (Included) makes it possible to see my whole month at a glance, which is a useful feature. As a MobileMe user, I like to use iDisk (Free app + $99/yr. for MobileMe) to coordinate between my desktop, laptop, iPhone, and iPad, but if you’re not a member, I’ve heard good things about Dropbox (Free app + Dropbox account). And I have to mention the Delivery Status app ($4.99), which lets you follow multiple packages from FedEx, UPS, etc. as they are tracked through the system.

8. Browse: The fact that the iPhone had a fully functioning web browser was a major breakthrough, but the iPad takes it a step further. It’s not only that the screen is larger, but also the fact that it allows you to view the full versions of your favorite websites, as opposed to the version optimized for mobile devices. Safari (Included) also syncs your bookmarks bar from its desktop counterpart (via MobileMe, I think), which I have found very convenient. It’s worth checking to see if the websites you frequent have their own apps as well. I recommend Google (Free), WolframAlpha ($1.99), and Articles ($4.99), which is a sharp-looking Wikipedia client.

9. Explore: Here’s how you know you are living in the future. Download GoSkyWatch Planetarium (Free) to your iPad. Then point it at the sky at night. It will display for you the same stars at which you are gazing, along with their names and even the constellations drawn in. Move the iPad around and the display will adjust. It’s also worth getting Solar Walk ($2.99), which gives you more freedom to move around the solar system and see what’s going on, including watching our own artificial satellites as they orbit around the Earth. The more expansive interface also breathes new life into old favorites such as Maps (Included) and Google Earth (Free).

10. Distract: So you’ve bought your iPad and now the kids want to play with it. What can you download to keep them out of your online banking app? The boys have their favorites, but Elena, who is now almost two, can work the icons along with the best of them, even knowing to hit the menu button when she’s bored with one app and wants to switch to another. Voting with her fingers, she recommends Sound Touch ($2.99), Art in Motion ($2.99), Tesla Toy ($1.99), and Drawing Pad ($0.99). Ian (age six) is really into roller coasters, so he enjoys games like New York 3D Rollercoaster Rush HD ($4.99) and Underground 3D Rollercoaster Rush HD ($4.99). But he really loves an app called Coaster Physics ($0.99), which lets him design his own roller coaster and then ride on it as he learns about kinetic and potential energy. He also likes to practice his Dolch sight words with All Sight Words ($0.99) and play Math Bingo ($0.99), while his older brother Jason (age eight) prefers MathBoard ($3.99) to hone his arithmetic skills. I highly recommend the BrainPOP Featured Movie (Free) and PBS’s SUPER WHY! ($3.99), two excellent educational apps by sources from whom we’d expect no less. And there are a whole host of apps that simulate baking different sugary confections, but Cupcakes! XL ($0.99) makes the best use of the iPad’s capabilities.

I certainly mean no disrespect to the iPhone. It’s still, hands down, the coolest thing I’ve ever owned, including the iPad. It has a phone and a camera and it fits in my pocket, so the new kid is really no threat. The iPhone is also better for listening to audio, recording voice memos, MusicID, and playing Doodle Jump or Catan. Most of the things I do with the iPad are things I wasn’t really doing with the iPhone anyway. So the iPad did add value after all.

And now all of my portable digital requirements really are met, and I therefore have no need for any new thing that should happen to be introduced by Apple or anyone else.

Do I?

Chrismath

Tuesday, January 4th, 2011

Here’s a cool math video by a “mathemusician” named Vi Hart, with a hat tip to Jeff Branzburg for the link.

Question of the Week

Monday, January 3rd, 2011

Last month, I was giving a workshop for principals on Instructional Rounds, a method of structuring conversations about best practices based on classroom observations conducted in teams, when an interesting question arose. I asked them if teaching was an art or a science.

In this context, it was more than just a philosophical question. If teaching is an art, like music or painting, then each teacher should be allowed as much freedom and creativity as possible in developing a personal teaching style. If, on the other hand, teaching is a science, like medicine or physics, then we must determine best practices through research and establish standards and methodologies for the profession that all are expected to follow.

Carol Ann Tomlinson calls teaching a science-informed art, an answer the group liked, but I’d like to take a closer look at the question. The way we view the profession affects everything from how we train teachers to how we evaluate their performance. So is it an art, or is it a science?

Perhaps the distinction between the two isn’t as clear-cut as we think. Teaching may be a “science-informed art,” but what art hasn’t been influenced by the sciences? Each artistic discipline codifies what works and what doesn’t, and even the most promising young talents must study for many years to perfect their craft. There are certainly examples of highly successful art forms and artists that are defined largely by breaking the rules, like jazz or Picasso, but even they are influenced by science. Would Picasso’s “Blue Period” have been possible if Heinrich Diesbach hadn’t developed an affordable blue paint? And you can’t just play anything you like in improvisational jazz; you really have to know what you’re doing. In other words, it doesn’t mean a thing if it hasn’t got that swing.

Science, on the other hand, has a lot more intuition and creativity than it generally gets credit for. It comforts us to think of medicine as a hard science, but a lot of times doctors just have to go with their best instincts. I may have seen too many episodes of House, but let me ask you this: If you had to go in for surgery, would you prefer a young surgeon who recently graduated from a top medical school with a high GPA, or would you prefer a doctor with 25 years of experience doing this kind of surgery with a high success rate? And the most creative, mind-blowing stuff we’ve seen lately is coming out of the field of theoretical physics. Einstein famously said that imagination was more important than knowledge, and we have more knowledge because of his imagination.

So in deciding if teaching is an art or a science, we have to look at art and science for what they really are: two ends of a continuum, rather than binary opposites. But where on the continuum does teaching belong? The term “Instructional Rounds” borrows its name from the medical profession. But others refer to a similar activity as a “Gallery Walk” which takes its title from the arts.

There is, of course, a third option that falls outside of this continuum. In this option, teaching is neither an art nor a science, as each word implies a skilled and knowledgeable practitioner. It is simply a trade, one that can be standardized and learned. In this view, teaching is not a profession at all. I reject this idea, but it becomes part of the conversation nevertheless. And so, I bring back the Question of the Week by asking you this:

Is teaching an art or a science?

Shakespeare Anagram: Henry VIII

Saturday, October 16th, 2010

From Henry VIII:

The gentleman is learn’d, and a most rare speaker;
To nature none more bound; his training such,
That he may furnish and instruct great teachers,
And never seek for aid out of himself. Yet see,
When these so noble benefits shall prove
Not well disposed, the mind growing once corrupt,
They turn to vicious forms, ten times more ugly
Than ever they were fair.

Shift around the letters, and it becomes:

The director of An Inconvenient Truth lent aid to ruthless enemies of government-funded education.

Davis Guggenheim’s Waiting for Superman should seek to learn the inherently right way: reform relentless poverty.

Instead, it prefers to foment barbed attacks on unions as anathemas. Why? Why?

Remember, the real superheroes teach in our schools.

More on Waiting for Superman here.

Conundrum: Pic Tac Toe VI

Tuesday, February 2nd, 2010

Even though this puzzle is still active, I thought it might be fun to return to a simpler time.

In a “Pic Tac Toe” puzzle, there are nine pictures in a three-by-three grid, like Tic-Tac-Toe. In each row, column, and diagonal, there is a common theme that unites the three pictures. The challenge is to find the eight themes.

You can click on each image to see a larger version:



Please post whatever you come up with in the comments section.

Enjoy!

UPDATE: See comments for correct themes provided by Asher (5) and Neel Mehta (3). Alternate theme provided by Asher.

Conundrum: The Big Picture II

Tuesday, January 26th, 2010

In a normal “Pic Tac Toe” puzzle, there are nine pictures in a 3×3 grid, like Tic-Tac-Toe. In each of the three rows, three columns, and two diagonals, there is a common theme that unites the three pictures. The challenge is to find the eight themes.

In a “3D Pic Tac Toe” puzzle, there are 27 pictures in a 3×3×3 grid, like a Rubik’s Cube. In each of the nine rows, nine columns, nine pillars, eighteen lateral diagonals, and four cross-cube diagonals, there is a common theme that unites the three pictures. The challenge is to find the 49 themes.

A “Big Picture” puzzle is just like a “3D Pic Tac Toe” puzzle, except that each of the 49 themes will be a movie. Each of the three images in that theme will picture at least one actor who was in that movie.

Imagine stacking the three levels below on top of one another. For reference, and notation guidelines, check out my last Big Picture puzzle, including the comments. The rules here are identical to that puzzle.

Looking at that puzzle will also help identify the actors in Image B5; tragically underused in that puzzle, it now plays a more central role. Although many of the same actors appear in both puzzles, none of the 49 movies in the solution to this puzzle is the same as any of the 49 movies in the previous puzzle’s solution.

In Image B3, you will use the actors who voiced the animated characters shown, but none of the movies in the solution is animated, a documentary, or Robert Altman’s The Player.

You can click on each image to see a larger version:

Top Level – Level A



Middle Level – Level B



Bottom Level – Level C



Please post whatever you come up with in the comments section.

Enjoy!

UPDATE: See comments for correct themes provided by Lee (12) and Neel Mehta (20). The following 17 themes remain unsolved:

Rows

B1-B2-B3

Columns

A1-A4-A7
B1-B4-B7
B3-B6-B9

Pillars

A3-B3-C3
A4-B4-C4
A7-B7-C7

Lateral Diagonals

B3-B5-B7
A1-B2-C3
A3-B2-C1
A6-B5-C4
A7-B8-C9
A9-B8-C7
A1-B4-C7
A2-B5-C8
A8-B5-C2
A3-B6-C9

Conundrum: The Big Picture

Tuesday, July 28th, 2009

This is a new 3D Pic Tac Toe puzzle. If you are unfamiliar with the format, you can check out my last 3D Pic Tac Toe for guidelines.

In this particular 3D Pic Tac Toe, each of the forty-nine themes will be a movie. Each of the three images in that theme will picture at least one actor who was in that movie.

In Image B1, you will use the actors who voiced the animated characters shown, but none of the forty-nine movies in the solution is animated, a documentary, or Robert Altman’s The Player. A few of the movies have not yet been released.

You can click on each image to see a larger version:

Top Level – Level A



Middle Level – Level B



Bottom Level – Level C



Please post whatever you come up with in the comments section.

Enjoy!

UPDATE: Correct themes provided by Neel Mehta (36), Evan (10), Ken (1), and Rodney G (2). Alternate theme suggested by Evan. See comments for discussion, or click here to skip right to the answers.