My monthly Shakespeare reading group is gearing up to do the history plays. For the next eight months, starting this Sunday, we’re going to be working our way through the two tetralogies.
Shakespeare, working in the late sixteenth century, was writing about his own country’s history spanning most of the fifteenth century. He could assume his audience was familiar with the stories and the characters to some degree. Our perspective, over four hundred years later and in another country, does not provide the same level of context.
Imagine we were watching a play about the American Civil War and characters made various passing references to “the president,” “Lincoln,” and “Honest Abe.” We would understand these are all the same person, no explanation needed. But someone unfamiliar with our history might get confused. In Shakespeare’s histories, characters refer to each other by last name, nickname, and title interchangeably, and their iconic status in English memory requires very little exposition. When we do actually get a first name, it’s usually one of the same six or seven names recycled endlessly throughout the generations, relying again on context for specificity.
Thus, in order to facilitate the readings, I have created a family tree for the Plantagenets that spans all eight plays. For each play, I have put together a version of the tree that shows the current state of the family as the action begins. It shows who’s living, who’s dead, who’s related to whom, who is actually in the play, and what names might be used to reference them. What’s more, it all fits on one page, so it makes a convenient handout for a reading.
It was quite a project, but now that I’m finished, it’s my pleasure to share the results with the Shakespeare Teacher community:
- Family tree for Shakespeare’s Richard II
- Family tree for Shakespeare’s Henry IV, Part One
- Family tree for Shakespeare’s Henry IV, Part Two
- Family tree for Shakespeare’s Henry V
- Family tree for Shakespeare’s Henry VI, Part One
- Family tree for Shakespeare’s Henry VI, Part Two
- Family tree for Shakespeare’s Henry VI, Part Three
- Family tree for Shakespeare’s Richard III
Whether these charts end up providing more clarity or only more confusion will remain to be seen. I’ll be field testing them with my group and may find a need to do a rewrite in eight months time. If anyone out there sees anything seriously wrong or just has a helpful suggestion, please leave a note in the comments so I can address it in the next round of revisions.
A few notes may be helpful. A shaded box means that the character is dead before the play begins. A bold-faced box means that the character appears in the current play. Each space represents the same character across all eight plays, but there are two characters (Anne Mortimer and Isabella Neville) that are duplicated on the chart because they married across family lines. These are represented by circled numbers.
For the most part, Shakespeare sticks with history as far as the genealogy and chronology are concerned, but where he breaks with history, I generally went with Shakespeare’s version. I did this because the purpose of the chart was to make the readings easier. So if Shakespeare, for example, refers to a character by a title he technically didn’t have yet, I used that title on my chart.
One major exception to this is the case of Edmund Mortimer. Historically, there were two different men named Edmund Mortimer in this story: Sir Edmund Mortimer, and his nephew Edmund, Earl of March. An Edmund Mortimer appears in Henry IV, Part One and an Edmund Mortimer appears in Henry VI, Part One. It appears that Shakespeare has conflated the two men into a single character, as he ascribes to the character biographical details from both men in both plays. I went with the more historically appropriate choice to put Sir Edmund in 1H4 and the Earl of March in 1H6, but you should know that when using these charts with those plays.
A lot of the information in these charts were taken from the plays themselves. But the charts also include a lot of historical information, and for that, I used other sources. I took advantage of the excellent genealogical tables in The Riverside Shakespeare (G. Blakemore Evans, ed.) as well as the Arden editions of Henry V (T.W. Craik, ed.) and Henry VI, Part Three (John D. Cox and Eric Rasmussen, eds.). I found The Cambridge Companion to Shakespeare’s History Plays (Michael Hattaway, ed.) very helpful. I also consulted the official website of the British Monarchy, as well as other online sources as needed.