Who am I?
]]>Who am I?
UPDATE: Riddle solved by Ro. See comments for answer.
]]>Who am I?
UPDATE: Riddle solved by Brian. See comments for answer.
]]>What number am I thinking of?
]]>I thought it best to use two scenes with the same characters, so that the letters in the speech prefixes would even out, and of course I needed to find two scenes of roughly equal length. I went for two scenes between Macbeth and Lady Macbeth, the one just before the murder of Duncan and the one right after. (I’ll call the two scenes Beforekill and Afterkill, which I think has a clarity that calling them I.vii. and II.ii. lacks.)
Well, I did not get very far. In fact, I didn’t get past the very first step, which is to do a letter inventory. It turns out that Beforekill has over 30 more instances of the letter W than Afterkill has. This is a lot, considering that the scenes themselves are only about 90 lines long a piece. So, unless I want to add a bunch of web addresses, it’s probably not going to work. There are only so many times you can work “How now!” into conversation before it gets tedious.
It’s not a length issue, as Afterkill is rich in Rs and Ss, letters that you would expect to appear frequently in a given passage. Also, Afterkill has quite a few extra Ys than Beforekill and, oddly, about 20 more Gs! So why such a big W disparity in the other direction?
Part of it is a deliberate use on Shakespeare’s part of W alliteration in Beforekill, as in “which would be worn now” or “will I with wine and wassail,” but I think it’s more than that.
W is the letter of question words. When? Which? Why? How? Macbeth and Lady Macbeth are debating and planning the murder and are challenging each other with questions. W also the first letter of We. They are in this together. “If we should fail?” “We fail.”
After the murder, it’s all about Get this and Go there and Give me the daGGers. The soft W is used for coaxing and hedging. The hard G is used for scrambling and panicking. Awesome.
So there won’t be any full-scene anagrams, at least not right now. But I enjoyed discovering the reason why not, and thought you might enjoy it too.
]]>Who am I?
UPDATE: Riddle solved by Ro. See comments for answer.
]]>From Hamlet:
To be, or not to be: that is the question:
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and, by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, ’tis a consummation
Devoutly to be wish’d. To die, to sleep;
To sleep: perchance to dream: ay, there’s the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There’s the respect
That makes calamity of so long life…
Shift around the letters, and it becomes:
O! that this too too solid flesh would melt,
Thaw and resolve itself into a dew;
Or that the Everlasting had not set
His precept ‘gainst self-slaughter! Rebuke! Rebuke!
How weary, foul, puffed, and abominable
Seem to me the questions of this place.
Fie on ‘t! O fie! ’tis a once heeded garden,
That’s left to pot; the rank and weed in nature
Possess it merely. But he should come to this!
Not four months dead: nay, half as much, but two:
As superior a man; so as, to this step,
Hyperion to a satyr; so caring to my mother
Permit he not beteem the beams of stars
Access her face too roughly. Heaven and earth!
You can compare it to the original speech here (starting at line 133).
Shift around the letters again, and it becomes:
I have of late, - but wherefore do not seek, - lost all my cheer, ashamed that the oddest mood upsets me so seethingly that our lush frame, at the earth, soon seems to me a detested sterile promontory; this aesthetic roof toasted by stoked mythical golden fire truthfully appears to me therefore as such a both foul and pestilent congregation of bath vapours. What a piece of work is man! How noble in reason! in theme, how impressive and truthful! in action as an angel! and apprehension as a god! the beauty of the world! the crest of beasts! But, to me, what is this quintessence of dust?
You can compare it to the original speech here (around line 250).
Shift around the letters again, and it becomes:
O! what a rogue and peasant slave am I:
Is’t not monstrous that this player here,
Could force his soul so to the best esteem
That from her working feebled all his looks,
Have tears in eyes, add a tempest of bombasts,
A broken voice, and his whole function suiting
With forms to top esteem? and all for nothing!
Frets Hecuba to him for he to tear
That he so pretty sobs? What would he do
Had he not the uttermost cue for passion
As by me? He could drown the stage in tears,
Atone the guilty and appal the free,
Confound the temperate, and to quite impress
The seemly faculties of eyes and ears.
You can compare it to the original speech here (starting at line 382).
Shift around the letters again, and it becomes:
How all occasions do inform against me,
And spur my dull revenge! What’s a man,
If his chief hope and market of his time
Be but to sleep and feed? a helpless beast, thou.
Sure he that made us with much large esteem,
He looked from before to after, gave unto us not
That potential and smoothest reason
To fust in us effetely. Whe’r it be
Bestial petty sloth, or some softer scruple
To foresee too precisely on a theme,
A knot, which, quarter’d, hath but one part hero,
And also three parts coward, I see not
Why yet I be to say ‘This thing’s to do;’
Sith I have cause and lots of strength and means
To do ‘t.
You can compare it to the original speech here (starting at line 37).
Shift around the letters again, and it becomes:
Alas! poor Yorick. I knew him, Horatio; a fellow of endless mirth, of most splendid fancy; he hath paraded me on his shoulders a thousand separate times; and now too detested in the greatest depths of my imagination it is! Here hung those lips that I have oft kissed. When be you at fatuous gibes? at gambols? at accents? at those deftest flashes of espoused merriment, that were wont to burst the tables on a roar? But not one to be sped now, to renounce reverence? quite chapfallen? Foot you to my lady’s chamber, tell her, let her protest, of this favour she must come; see her laugh at that.
You can compare it to the original speech here (starting at line 80).
]]>I did a little research and discovered that her name is Amy Walker. Nice work, Amy Walker!
]]>Who am I?
UPDATE: Riddle solved by Ro. See comments for answer.
]]>
For the record, the 20,000th hit came in at 9:48pm today from Waterville, Maine. The visitor came to read the post from March 25, 2007, discussing the last episode of Slings & Arrows.
It’s worth noting that the first 10,000 hits came between January 3, 2007 and December 16, 2007, while the second 10,000 hits came between December 16, 2007 and July 8, 2008. At this point in time, the blog’s Technorati ranking is 648,508.
Once again, many thanks to all who have visited. This is your day.
]]>Who am I?
UPDATE: Riddle solved by Ro. See comments for answer.
]]>Who am I?
UPDATE: Riddle solved by Neel Mehta. See comments for answer.
]]>For their video project, the 8th grade class I was working with decided to create a modern-day talk show (instead of a reality show) with characters from Shakespeare’s Cymbeline as guests. The show includes scenes from the original play, an alternate ending, and a commercial for a Cymbeline video game… all written, performed, and produced by the students!
They presented their video at an in-school film festival, and represented their school at a citywide film festival hosted by my organization. And now, through the magic of the Internet, I share the video with you:
If you want to share this video with others, you can link directly to this post or embed the video from its TeacherTube page (where you can also watch the video if you have trouble loading it in here). We will also be featuring the video on the school’s home page.
UPDATE: The kids put the video on YouTube. It’s a much higher quality than what I was able to post to TeacherTube, so if you want to embed the video on your site, you should use that one.
]]>In a normal “Pic Tac Toe” puzzle, there are nine pictures in a 3×3 grid, like Tic-Tac-Toe. In each of the three rows, three columns, and two diagonals, there is a common theme that unites the three pictures. The challenge is to find the eight themes.
In this “Pic Tac Toe” puzzle, however, there are twenty-seven pictures in a 3×3x3 grid, like a Rubik’s Cube. In each of the nine rows, nine columns, nine pillars, eighteen lateral diagonals, and four cross-cube diagonals, there is a common theme that unites the three pictures. The challenge is to find the forty-nine themes.
Imagine stacking the three levels below on top of one another. For reference, and notation guidelines, check out my last 3D Pic Tac Toe, including the comments. The rules here are identical to that puzzle.
You can click on each image to see a larger version:
Please post whatever you come up with in the comments section.
Enjoy!
UPDATE: Correct themes provided by Benjamin Baxter (3), Billie (24), and Neel Mehta (16). Alternate themes suggested by Benjamin Baxter (1), Billie (2), and Neel Mehta (5). See comments for discussion, or click here to skip right to the answers.
]]>Who am I?
UPDATE: Riddle solved by Benjamin Baxter. See comments for answer.
]]>“I usually go first,” he says icily. “Surely you will allow me a rematch, and allow me to go first this time.”
You know that, with his standard set up using piles of 1, 2, 3, 4, and 5, he can force a win by going first, so you decline. But he comes up with a surprising offer: you can increase the number of piles.
As before, the piles will start at 1 coin and will increase by 1 coin until the desired number of piles is reached. So if you decide to increase to six piles, the coin amounts must be 1, 2, 3, 4, 5, and 6. You’ve only got a limited number of coins available, so you may not exceed ten piles.
Iachimo will go first and you will take turns drawing coins from the piles. On your turn, you may remove as many coins as you like from any one pile. The winner is the one who takes the last coin and leaves his opponent without a move.
“Double or nothing,” he dares you, with a bit of desperation in his voice. You’re not sure what would happen if you decline. It doesn’t matter, though, since you see a clear path to victory, even allowing Iachimo to go first.
How many piles do you set up? What’s your strategy for winning?
]]>These recordings stand out very favorably among the many who have put themselves speaking Shakespeare online. She doesn’t feel the need to over-emote, but instead trusts and enjoys the words of the poet. Shakespeare’s language seems to come very naturally to her, and the videos are a pleasure to watch. Also, I think because she’s so young, she brings a freshness and vitality to her readings, and makes the old poems feel relevant for a new generation.
Here she is doing a favorite of this blog, Sonnet LV:
More here.
]]>Who am I?
UPDATE: Riddle solved by DeLisa. See comments for answer.
]]>Who am I?
UPDATE: Riddle solved by DeLisa. See comments for answer.
]]>At the end of the play, Shakespeare sets the record straight about these hidden messages. I apologize for any inconvenience I may have caused by shaking up your worldview.
From A Midsummer Night’s Dream:
If we shadows have offended,
Think but this, and all is mended,
That you have but slumber’d here
While these visions did appear.
Shift around the letters, and it becomes:
]]>Tell this: I, dubbed William Shakespeare, penned the stuff.
The odd hidden author shifts you have been shown was a vivid dream.