{"id":152,"date":"2007-04-04T20:15:01","date_gmt":"2007-04-05T01:15:01","guid":{"rendered":"http:\/\/www.shakespeareteacher.com\/blog\/archives\/152"},"modified":"2017-07-13T20:38:38","modified_gmt":"2017-07-14T01:38:38","slug":"five-and-twenty","status":"publish","type":"post","link":"https:\/\/www.shakespeareteacher.com\/blog\/archives\/152","title":{"rendered":"Five and Twenty"},"content":{"rendered":"<p>The Shakespeare Geek has posted <a href=http:\/\/blog.shakespearegeek.com\/2007\/04\/top-five-favorite-shakespeare-plays.html target=_blank>his top five favorite Shakespeare plays<\/a>, based on another blogger&#8217;s post listing <a href=http:\/\/hifidel.blogspot.com\/2007\/04\/top-five-favorite-shakespeare-plays.html target=_blank>his top five favorite Shakespeare plays<\/a>.  <\/p>\n<p>Man, how can you do that?  I tried it myself, but the list got a little out of hand.  My top five list turns out to have twenty-five plays in it.  Bear with me.  Here they are, in the ascending order of my preference today.  If I made the same list tomorrow, it might be different.<\/p>\n<p>25. <strong>The Tempest<\/strong> &#8211; Critics deny this is Shakespeare&#8217;s farewell to the theatre, but read it and decide for yourself.  Prospero, Ariel, Caliban, and Miranda are unique in Shakespeare, strange for so late a play.  <\/p>\n<p>24. <strong>Much Ado About Nothing<\/strong> &#8211; There is a lot in this play to recommend, but Beatrice and Benedick are the most fun.  I&#8217;m also a fan of Dogberry the Constable and, in his own way, Don John. <\/p>\n<p>23. <strong>The Winter&#8217;s Tale<\/strong> &#8211; I like this play&#8230; not as much as other people may like it, but I like it well enough.  There are some great speeches in the play, and more than a few moments that kill on stage.<\/p>\n<p>22. <strong>Henry the Sixth, Part Three<\/strong> &#8211; The paper crown scene alone should bring this play some recognition.  I also enjoy the early character development of Richard Gloucester, the future King Richard III.<\/p>\n<p>21. <strong>Henry the Fourth, Part Two<\/strong> &#8211; Vibrant tavern scenes, darkly comic scenes, frenetic battle scenes, and one intense standoff between King Henry and his son Hal.  Don&#8217;t miss the last five minutes. <\/p>\n<p>20. <strong>The Comedy of Errors<\/strong> &#8211; This play can be a lot of fun if you accept it on its own terms.  The scene where Antipholus of Ephesus is locked out of his house is reason enough to make the list.<\/p>\n<p>19. <strong>Cymbeline<\/strong> &#8211; This is a hidden treasure, filled with great scenes and powerful moments.  It has a beautiful fairy-tale quality, strong characters, passionate poetry, and a satisfying ending.  More <a href=http:\/\/www.shakespeareteacher.com\/blog\/archives\/36>here<\/a>.<\/p>\n<p>18. <strong>The Taming of the Shrew<\/strong> &#8211; The first scene between Kate and Petruchio is an all-time classic, and the piece as a whole is a wonderful bit of inspired silliness.  The taming can be a bit jarring, though.  <\/p>\n<p>17. <strong>Romeo and Juliet<\/strong> &#8211; I think it would be hard for anyone to make a Top Five and Twenty list of favorite Shakespeare plays and not include <em>Romeo &#038; Juliet<\/em>.  The poetic language is beautiful.<\/p>\n<p>16. <strong>Twelfth Night<\/strong> &#8211; There&#8217;s a lot going on in this play, and it all works on stage.  Don&#8217;t let the slapstick elements fool you into thinking this is an unsophisticated play.  It isn&#8217;t.<\/p>\n<p>15. <strong>The Merchant of Venice<\/strong> &#8211; This is another play with a rich complexity that seems to burst out of its fairy-tale frame, which is what allows the darker elements of the play finally to surface.            <\/p>\n<p>14. <strong>Henry the Fourth, Part One<\/strong> &#8211; Who could resist the irrepressible Falstaff, and his relationship with the young Prince Hal?  This play has my favorite tavern scene, and lets not forget Hotspur either.<\/p>\n<p>13. <strong>King John<\/strong> &#8211; Shakespeare wrote this play just after the death of his eleven-year-old son, and the influence of that event on this play is breathtaking.  Also, the Bastard is a character well worth knowing.<\/p>\n<p>12. <strong>Richard the Second<\/strong> &#8211; For God&#8217;s sake, let us sit upon the ground and talk about the richly complex symbolism and beautiful flowing poetry in this play.  Go and fetch me a looking glass.<\/p>\n<p>11. <strong>Antony and Cleopatra<\/strong> &#8211; It&#8217;s a love story.  It&#8217;s a war epic.  It&#8217;s a geopolitical thriller.  It&#8217;s the greatest story in history told by history&#8217;s greatest storyteller.  This is not your high school <em>Romeo and Juliet<\/em>.<\/p>\n<p>10. <strong>Henry the Fifth<\/strong> &#8211; This is a tight, passionate, stirring play.  It&#8217;s also a Rorschach test for how you feel about war.  Each scene is a mini-masterpiece, and the use of language is extraordinary.  <\/p>\n<p>9. <strong>Julius Caesar<\/strong> &#8211; This powerful tale of politics, rhetoric, and betrayal in Ancient Rome may be a schoolhouse classic, but it&#8217;s a better read as an adult.  I find myself coming back again and again.<\/p>\n<p>8. <strong>Measure for Measure<\/strong> &#8211; Darker and more overtly sexual than most of Shakespeare&#8217;s other comedies, this play explores both the depths of depravity and the better angels of human nature.     <\/p>\n<p>7. <strong>As You Like It<\/strong> &#8211; This Shakespearean fairy tale is filled with laughs, love, and music.  Shakespeare knew what audiences liked, and he gave it to them in this aptly named comedy. <\/p>\n<p>6. <strong>A Midsummer Night&#8217;s Dream<\/strong> &#8211; One can only imagine what the effect must have been of having fairies and nobles and workmen wrapped up in the same story on stage.  One for the ages.  <\/p>\n<p>5. <strong>Othello<\/strong> &#8211; This is a true masterpiece: in characterization, plot structure, emotion, pacing, poetic language, potency, and thematic cohesion.  This is how to write a play, my friends.<\/p>\n<p>4. <strong>Macbeth<\/strong> &#8211;  I&#8217;ve always found this play extremely riveting from beginning to end.  The witches prophesy Macbeth will be King, setting a chain of events irrevocably in motion.  Spellbinding. <\/p>\n<p>3. <strong>Hamlet<\/strong> &#8211; Never before or since has there been such an intimately detailed character study.  Was he mad?  My father once said, &#8220;if you took that close a look at any of our minds, we&#8217;d all seem mad.&#8221;<\/p>\n<p>2. <strong>King Lear<\/strong> &#8211; I make new discoveries every time I read this play, and not just discoveries about the play.   This may be the greatest thing ever written in the English language.  I may never fully grasp it.<\/p>\n<p>1. <strong>Richard the Third<\/strong> &#8211; My personal favorite, and a guilty pleasure at that.  Somehow, Shakespeare makes us root for the bad guy.  Is there a secret evil genius within us that he speaks to?  I&#8217;ll never admit to it.    <\/p>\n<p>So those are my top five favorite Shakespeare plays.  Feel free to post your top five favorite Shakespeare plays in the comments, however many there may happen to be.<\/p>\n<p><!--f9ae8bf2cf8695c3f5929acde73ca7ba-->\n<\/p>\n<p><!--c98da3b561c33f581ebdda1022bccbbf--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Shakespeare Geek has posted his top five favorite Shakespeare plays, based on another blogger&#8217;s post listing his top five favorite Shakespeare plays. Man, how can you do that? I tried it myself, but the list got a little out of hand. My top five list turns out to have twenty-five plays in it. Bear [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74,57,62,91,113,122,58,40,52,76,123,124,125,92,117,3,118,126,93,94],"tags":[],"class_list":["post-152","post","type-post","status-publish","format-standard","hentry","category-antony-and-cleopatra","category-as-you-like-it","category-cymbeline","category-hamlet","category-histories","category-julius-caesar","category-king-lear","category-list","category-macbeth","category-measure-for-measure","category-merchant-of-venice","category-much-ado","category-othello","category-richard-iii","category-romeo-and-juliet","category-shakespeare","category-taming-of-the-shrew","category-tempest","category-the-dream","category-twelfth-night"],"_links":{"self":[{"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/posts\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":5,"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/posts\/152\/revisions"}],"predecessor-version":[{"id":4715,"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/posts\/152\/revisions\/4715"}],"wp:attachment":[{"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/media?parent=152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/categories?post=152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.shakespeareteacher.com\/blog\/wp-json\/wp\/v2\/tags?post=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}