How Real is Richard?

February 13th, 2013

It’s been exciting to see Shakespeare so much in the news lately. The confirmation of the discovery King Richard the Third’s skeleton last week has thrust our beloved Bard back into the international spotlight. But just how relevant is Shakespeare to this discovery? How closely related is Shakespeare’s classic villain to the original owner of the bones found under the Leicester parking lot?

Shakespeare wrote that which we call History plays, but these are plays and not histories. Shakespeare often wrote about “real” people and events, but he always put his unique take on it. He could change any details that he wanted. Did you know that the real Hotspur was 23 years older than Prince Hal, even though the two men were portrayed as contemporaries in Shakespeare’s 1 Henry IV? That Rutland, killed as a small child in Shakespeare’s 3 Henry VI, was actually older than his brothers George and Richard? That there were two different men named Edmund Mortimer, conflated into a single character by Shakespeare? And obviously, no matter how historical his characters, we all understand that he certainly was willing to put words in their mouths.

None of this matters, of course. Saying that Shakespeare got it wrong misses the point entirely. Shakespeare’s intent was to create entertaining theatrical plays. And Richard III is one of the most enduring and popular works of art ever to spring from the human imagination. So, yeah, I’d say Shakespeare actually got it right, wouldn’t you? An archeological discovery can tell us about history, and this is a particularly exciting discovery at that, but it sheds no new light on Shakespeare’s work. We already knew that Shakespeare based his work on Tudor historians, and that he shared their bias towards the Tudor view of history.

So when we ask whether characters from Shakespeare are “real” or not, it may not be such a binary question. I would prefer instead to think of it as a spectrum. More specifically, I have created a seven-point scale to compare how real the characters from Shakespeare actually are.

Enjoy!

* * *
Level Seven
Historical Characters Doing Historical Things
Examples: Henry VIII, Henry V

Even at the highest level of Shakespeare’s reality-based characters, there is still a lot of spin-doctoring going on. Shakespeare doesn’t just write about his country’s greatest heroes without a little glorification. But the stories Shakespeare tells about characters at Level Seven are fairly consistent with their historical accounts. Shakespeare himself must have been at least somewhat impressed with his own account of the life of Henry VIII when he originally gave his play the title All is True.

* * *
Level Six
Historical Characters Doing Speculative Historical Things
Examples: Julius Caesar, Cleopatra

I wanted to make a distinction between historical figures that Shakespeare wrote about from relatively recent time periods, and those from antiquity. There are numerous historical accounts of the lives of the ancient Greek and Roman leaders, so Shakespeare was actually writing from sources, but there is only so much faith that we can put in them. The primary difference between Level Six and Level Seven is the amount of time that has passed since the historical figures lived.

* * *
Level Five
Historical Characters Doing Highly-Speculative Politically-Convenient Historical Things
Examples: Richard III, Joan La Pucelle

Here we can put the characters that Shakespeare had a political reason to vilify. We see a version of history, but it’s a version that’s unapologetically slanted in the direction that Shakespeare’s audiences or benefactors would have appreciated most. Shakespeare is still writing mostly from sources, but the sources may themselves be politically biased, or Shakespeare just felt free to add his own spin to events as he wanted to portray them. The character of Richard III can go here.

* * *
Level Four
Historical Characters Doing Non-Historical Things
Examples: John Gower, Macbeth

There really was a historical Macbeth, but it’s doubtful he did many of the things attributed to him by either Shakespeare or history. Sure, Shakespeare was writing from a historical source, and had political reasons to vilify Macbeth, but the story is so far divorced from reality that we really need a new category to describe it. Level Four is for a character who really lived, but isn’t necessarily portrayed doing the things the original historical figure would actually have done.

* * *
Level Three
Legendary Characters Doing Legendary Things
Examples: Agamemnon, King Lear

Did any of these people really exist? And if they did, are the stories about them true? Probably not. But the stories were passed down from generation to generation, either in oral traditions or written texts, as though they were true. We can’t prove that there wasn’t some actual human being in the dark backward and abysm of time that inspired the legend. Level Three quantifies the precise amount of benefit-of-the-doubt I’m willing to give to that possibility.

* * *
Level Two
Characters Doing Fictional Things Who Couldn’t Possibly be Based on Real People (*snicker*)
Examples: Falstaff, Polonius

These are fictional characters, but audiences at the time would have understood the public figures they were based on. Maybe. If Polonius was based on William Cecil, Lord Burghley, then he could be placed one step above a completely fictional character. This is Level Two. Shakespeare expressly denied that Falstaff was meant to be John Oldcastle to satisfy one of Oldcastle’s noble descendants. But what was Shakespeare’s original name for the character Falstaff? It was John Oldcastle.

* * *
Level One
Fictional Characters Doing Fictional Things
Examples: Puck, Shylock

These are purely fictional characters, invented by Shakespeare or his literary sources. They are not real people. They are not based on real people. We will not be finding their bones under any parking lots. We are not worried about pleasing their descendants. If Shakespeare had simply confined himself to his own considerable imagination, we would still have an impressive panoply of Shakespearean characters to entertain us. But the conversations and controversies surrounding his plays would not be nearly as interesting.

The End

Shakespeare Anagram: Richard III

February 9th, 2013

From Richard III:

O, that thou wouldst as well afford a grave
As thou canst yield a melancholy seat!
Then would I hide my bones, not rest them here.

Shift around the letters, and it becomes:

To unearth late Richard the Third’s gamy bones would teach us, seem to alienate the vastly-followed myth.

No halo was found.

The End

Shakespeare Song Parody: Iachimo

February 8th, 2013

This is the 23rd in a series of pop-music parodies for Shakespeare fans.

Enjoy!

Iachimo
sung to the tune of “Domino”

(With apologies to Jessie J, and any readers who are getting tired of the song parodies…)

You’re bragging about your bride,
Across your empty glass of scotch.
Our nation also has pride;
I need to take you down a notch.

You’re insisting that your woman is both honest and fair,
But I’m betting that my charms will soon be taking her there.
Don’t you know? It’s out of your control.

Ooh, ooh, ooh, ooh…
I can describe her room,
And her body; don’t fume.
Buddy, I won!
Ooh, ooh, ooh, ooh,
One was silver and silk,
And the other smooth as milk.
Buddy, I won!
Ooh, ooh, ooh, ooh…

Should have tried to win my bet outright,
And on losing should have left alone.
Yes, I should have been more forthright,
But I lied because I’m Iachimo.

Now all the facts have come to light,
And all my misdeeds have become too well known.
Yes, I should have been more forthright,
But I lied because I’m Iachimo.

The End

Shakespeare Anagram: The Merry Wives of Windsor

February 2nd, 2013

From The Merry Wives of Windsor:

I warrant he hath a thousand of these letters, writ with blank space for different names–sure, more,–and these are of the second edition: he will print them, out of doubt.

Shift around the letters, and it becomes:

A hundredth stab, I can’t think of a fresh topic to put in here.

Therefore, we will wait until there is a neat one to reshuffle these words to be.

Demand no more sham drafts.

The End

Shakespeare Song Parody: Blocked from Succession

February 1st, 2013

This is the 22nd in a series of pop-music parodies for Shakespeare fans.

Enjoy!

Blocked from Succession
sung to the tune of “Locked out of Heaven”

(With apologies to Bruno Mars, and the royal family…)

Oh, yeah, yeah.
Oh, yeah, yeah, yeah, yeah.
Ooh!

Oh, yeah, yeah.
Oh, yeah, yeah, yeah, yeah.
Ooh!

To avoid a legitimacy disaster,
You worked out an arrangement to be fair:
That Henry finish out his reign as Lancaster,
And York would then become his legal heir.

But your deal makes me feel paralyzed.
Yeah, your deal makes me feel paralyzed.
And it’s wrong, yeah, yeah, yeah.

‘Cause it means that my son
Will be blocked from succession
To the throne, to the throne.
Yeah, it means that my son
Will be blocked from succession
To the throne,
To the throne.

Oh, yeah, yeah.
Oh, yeah, yeah, yeah, yeah.
Ooh!

Oh, yeah, yeah.
Oh, yeah, yeah, yeah, yeah.
Ooh!

You boasted of your high descent,
In front of Parliament;
You can wear this impressive paper crown.
I’ve a tiger’s heart that’s wrapped in a woman’s hide,
And I won’t let you take this family down.

‘Cause your deal makes me feel paralyzed.
Yeah, your deal makes me feel paralyzed.
And it’s wrong, yeah, yeah, yeah.

‘Cause it means that my son
Will be blocked from succession
To the throne, to the throne.
Yeah, it means that my son
Will be blocked from succession
To the throne,
To the throne.

Oh, oh, oh, oh, yeah, yeah, yeah.
Now, off with his head;
Take time to do him dead.
Oh, oh, oh, oh, yeah, yeah, yeah.
Now, off with his head;
Take time to do him dead.

‘Cause it means that my son
Won’t be blocked from succession
To the throne, to the throne.
Yeah, it means that my son
Won’t be blocked from succession
To the throne,
To the throne.

The End

Thursday Morning Riddle

January 31st, 2013

I’m a pillar of stone that is bearing some weight;
I exist in Excel; while in Word, you create;
Writer’s work run in print at a regular rate;
And a thin strip of soldiers all trained to march straight.

Who am I?

UPDATE: Riddle solved by Asher. See comments for answer.

The End

Shakespeare Anagram: Measure for Measure

January 26th, 2013

From Measure for Measure:

Pray you, my lord, give me leave to question; you
shall see how I’ll handle her.

Shift around the letters, and it becomes:

Oh my! Senator Paul’s soliloquy whine? He moved level-eyed Hillary to argue.

The End

Shakespeare Song Parody: The Title

January 25th, 2013

A friend asked me if I was going to do song parodies for all of Shakespeare’s plays.

I don’t know if I can commit to that right now, but if I were going to do it, at some point I’d probably have to resort to something like this.

Enjoy!

The Title
sung to the tune of “The Fighter”

(With apologies to Gym Class Heroes, Ryan Tedder, and every teacher who ever had to put up with me…)

Yo!

I want to tell you about these two key men.
It’s not a tale of one or three men.
I don’t think these are identical twin men,
But I do know at the least that they are kinsmen.
A kinsman’s a relation, you know, like a cousin.
You could have a few or you could have several dozen.
These men are related to more than a few men,
But please remember there are only two men.

And not just two kinsmen, but these two are noble,
A big deal for a culture not socially mobile.
And these two noble kinsmen can get into adventures,
And that’s why Shakespeare and Fletcher wrote this play.

You’ve a parody up ahead,
About a play you haven’t read.
You have lyrics to fill;
How you gonna do it?

Shakespeare fan, Bard lover,
Judge that book by its cover.
A few words, takes no time,
It is clear to me, clear to me, clear to me:
It’s in the title; it’s in the title,
Right in the title.
It’s become clear to me, clear to me, clear to me:
Just read the title.

Noble’s like a duke or prince,
And if they’re both noble it kind of makes sense,
Because noble was something that came from birth,
Not like today when we talk about inner worth.

So if one kinsman’s noble, the other is, too.
If your kinsman’s noble, then so are you.
And there are exactly two: don’t add a third,
And a single kinsman is absurd.

You’ve a parody up ahead,
About a play you haven’t read.
You have lyrics to fill;
How you gonna do it?

Shakespeare fan, Bard lover,
Judge that book by its cover.
A few words, takes no time,
It is clear to me, clear to me, clear to me:
It’s in the title; it’s in the title,
Right in the title.
It’s become clear to me, clear to me, clear to me:
Just read the title.

Everybody hold your books up!
What’s that cover say? (Hey!)
What’s that cover say? (Hey!)
What’s that cover say? (Hey!)
What’s that cover say? (Hey!)

You want jokes about Arcite and Palamon (you do!).
But you won’t find them in the tale I’m on (come on!).
‘Cause I’m still a big phony;
I just read the dramatis personae.

Shakespeare fan, Bard lover,
Judge that book by its cover.
A few words, takes no time,
It is clear to me, clear to me, clear to me:
It’s in the title; it’s in the title,
Right in the title.
It’s become clear to me, clear to me, clear to me:
Just read the title.

You’ve a parody up ahead,
About a play you haven’t read.
You have lyrics to fill;
How you gonna do it?

The End

Thursday Morning Riddle

January 24th, 2013

My soul belongs to God, I know;
I made that bargain long ago;
He gave me hope when hope was gone;
He gave me strength to journey on.

Who am I? Who am I?

UPDATE: Riddle solved by Bronx Richie. See comments for answer.

The End

Shakespeare Uncovered

January 23rd, 2013

I hope you’re as excited as I am for Shakespeare Uncovered, “a new six part PBS series combining history, biography, iconic performances, new analysis and the personal passion to tell the story behind the stories of Shakespeare’s greatest plays.”

I served as a member of an Advisory Board convened by the producing station—New York City’s WNET—to help develop a comprehensive suite of free online educational resources based on the series, which I’m told will soon be available to high school educators on the series website. I’ll post another link once they’re up.

The series premieres this Friday, January 25th. In the first episode, Ethan Hawke takes us on a dark and dangerous journey through the psychology, history, and artistry of Shakespeare’s Macbeth. Watch Hawke make breakthroughs in his understanding of the character he’s always wanted to play, even as he accidentally damages a priceless First Folio on camera. Travel to Dunsinane to see what we can discover about this historic setting. Explore the relationship between the Macbeths and peer into the minds and hearts of killers. Learn about how the passions, words, and themes of Shakespeare are relevant to our lives even today.

Sounds pretty sweet, right? And that’s just the first episode. Whether you’re interested in the poetry, history, or biography of Shakespeare, you won’t want to miss this series. Check your local PBS listings for dates and times of the rest of the episodes.

Watch Macbeth with Ethan Hawke on PBS. See more from Shakespeare Uncovered.

The End