It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

Probably not. Antony and Cleopatra did have three children, two boys and a girl. Cleopatra also had a child, Caesarion, from Julius Caesar. (”He plough’d her, and she cropp’d.” See how classy you sound when you quote Shakespeare?) Antony also had children from four of his wives.

After Octavius Caesar conquered Egypt (the events depicted in Shakespeare’s Antony & Cleopatra) he executed Caesarion, and gave the three children of Antony and Cleopatra to his sister Octavia. Remember (from the play) that Octavia was Antony’s last wife, so she’s now raising the children of her husband and his mistress. Little is known of the two boys, and if they had lived to adulthood, they would probably have been mentioned in sources of the time because of their parentage. It is possible they may have secretly been killed to avoid a later challenge to Octavius. But it’s also possible that they lived on and had children of their own. There’s no way to know.

The daughter of Antony and Cleopatra, named Cleopatra Selene, was married to an African king, and they had – at least – great grandchildren. Zenobia, a third century Syrian queen, claimed to be descended from this line. So it’s certainly possible that the descendants of Antony and Cleopatra are among us today. And if so, the opportunities to multiply between the 1st century and the 15th century would be massive. Therefore, we cannot rule out definitively that the Tudors are descended from Antony and Cleopatra. But could they know this for sure, let alone trace it? No. Those 1400 years weren’t exactly known for their record keeping, and there is too much motivation for people to invent a famous lineage along the way.

Margaret Tudor was Henry VIII’s older sister. She married James IV of Scotland in 1503, and a hundred years later, her great-grandson would become King of England (after Henry VIII’s line died out).

However, if you are asking about the character played by Gabrielle Anwar in The Tudors, you’re really looking for younger sister Mary Tudor. Another Mary would have probably been too confusing, so they conflated the two women into one character. Mary Tudor was the one who married an aging king only to be widowed three months later. Mary was the one who married Charles Brandon. I’ve only seen the first season of the show, so I don’t know what the character would later become, but in the first season, Margaret’s story is that of Mary Tudor.

Shakespeare had a lot of plots that centered around practical jokes. Often, they would blur the line between harmless prank and vicious revenge, but you can’t make an omelette without breaking a few eggs, am I right? Without any further ado, then, is my Top Ten list of Shakespearean pranks. Drum roll, please!

10. The Merry Wives of Windsor – I’m not a fan of this play, and I’m loathe to include it on the list of Top Ten anything. But a list of Shakespearean pranks would be incomplete without it, so here it is at #10. Suffice it to say, there are a number of pranks in this play. I’d list them, but I can’t be bothered.

9. Henry IV, Part Two – Hal and Poins disguise themselves as drawers and listen in on Falstaff’s bragging. They reveal themselves, but not before Falstaff has a chance to badmouth the Prince behind his back. The fun comes when Falstaff tries to talk his way out of it.

8. Measure for Measure – The “bed trick” and the “head trick” are serious deceptions and can hardly be considered a prank. But what about what I like to call the “fled trick”? The Duke pretends to leave Vienna, but instead stays back disguised as a friar. I guess the joke’s on Angelo. Busted!

7. Twelfth Night – Malvolio, imprisoned in darkness, recieves a visit from Sir Topas the curate. Actually, it’s Feste the jester disguising his voice. Playing both parts, Feste drives the supposed madman one step closer to real madness.

6. Much Ado about Nothing – Beatrice and Benedick’s merry war takes a surprising turn when their friends allow them to overhear conversations to make each believe the other is in love. The prank becomes self-fulfilling. “Some Cupid kills with arrows, some with traps.”

5. Henry IV, Part One – Hal and Poins pretend to go along with Falstaff’s plan to rob some travellers. But they enter in disguise after the fact and rob the robbers! They reveal their prank after Falstaff has been boasting about his encounter with the unknown thieves.

4. The Tempest – Prospero uses his magic to get revenge on those who have wronged him. But the havoc only lasts the afternoon and there’s no real damage done. The whole play is one big prank.

3. A Midsummer Night’s Dream – Puck changes Bottom into an ass. And Titania, having been spiked with a love potion by Oberon, falls in love with the creature. Hilarity ensues.

2. Twelfth Night – Maria forges a letter from Olivia to Malvolio, hinting that she is in love with him. Toby, Andrew, and Fabian spy on Malvolio as he reads the letter, which tells him to come to her in an outlandish manner… and he does.

1. Othello – Iago tricks Othello into believing that his wife has been unfaithful, so he kills her. Not really a prank, you say? Check out this video.

There are a lot of good monologues for men from King Lear. To start with, you can find monologues from Lear here, from Edmund here, and Edgar here. The female characters in the play have some great speeches, but nothing I would particularly pull out as a monologue.

You may be looking for Shakespeare: The Animated Tales, a series of half-hour condensed animated versions of Shakespeare plays. But I’ve also done a lot of work with students creating animated versions of Macbeth, As You Like It, and The Tempest. And since this is Shakespeare Teacher, I’ll offer some information about how to do it.

When I did these animation projects, the students did the artwork in HyperStudio, they recorded the sound in SoundEffects, and they aligned the two in iMovie. It was frame-by-frame, which is time consuming, but HyperStudio had a card-and-stack interface that made it go much more quickly. That was quite a few years ago, though, and I do mostly video projects now. I don’t know if HyperStudio is even still around, and people use Audacity for sound recordings today. iMovie is still the best game in town if you want to coordinate frame animation.

I know a lot of people who like to use the website Scratch for student animations. The one problem with Scratch is that you can only view the animations from the Scratch website. You cannot download the movie file and post it to YouTube.

I’ve heard, particularly from Shakespeare teachers, a lot of enthusiasm surrounding Kar2ouche. I looked at it once, a long time ago, and I dismissed it because there are a lot of pre-made templates, and I wanted my students to visually interpret the characters themselves. But time being a factor, I would probably recommend it, and I’ve seen some Shakespeare projects that look really sharp. Every so often, someone asks me if I’ve heard of Kar2ouche.

Of course, if your kids are into Second Life, there has been some animated Shakespeare coming from that quarter as well. There is also stop motion photography, which can be done with a digital camera, iMovie, and a lot of patience.

I can interpret this in four ways:

1. Was Queen Elizabeth the illegitimate child of Shakespeare?
2. Was Queen Elizabeth’s illegitimate child Shakespeare?
3. Did Queen Elizabeth’s illegitimate child actually write the plays of Shakespeare?
4. Was Queen Elizabeth an illegitimate child according to Shakespeare?

Elizabeth was older than Shakespeare, so #1 is a clear No. I don’t know of any illegitimate children of Elizabeth. This seems to me to be something easier for a king to pull off than a queen. If she had gone through a pregnancy, I doubt she’d have kept the nickname “the Virgin Queen” for very long. So we can answer a No for #2 and #3 as well.

As for whether Elizabeth herself was illegitimate, that’s a fair question. It all depends on how legitimate you consider the annulment of Henry VIII and his first wife. But Shakespeare certainly wouldn’t have painted her as illegitimate. When she was alive, he wrote plays that glorified her ancestors, and long after she died, his play Henry VIII treated her birth as a moment of great hope for the future of England.

So I’m not sure what you’re asking, but the answer is probably No.

I leave the task of responding to the remaining search terms to my readers:

I subscribe to a service called “SiteMeter” which allows me to see a limited amount of information about my visitors. One thing that I can see is if someone finds my site via a Google search, and what they were searching for.

It’s been a while, but every now and then I check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond to those search terms in the name of fun and public service.

In celebration of the fact that I’m moving the Googleplex to Sundays, I’m going to double my usual 6-for-me/6-for-you format and give you 12 of each. Full disclosure: I actually started this post some time ago. All of the following 24 searches did bring people to this site in the same week; it just wasn’t this past week.

Enjoy!

I kept getting hits for this search, and couldn’t for the life of me figure out what people were looking for. Then, I realized that they were searching for this TED lecture on how schools kill creativity, given by Sir Ken Robinson in 2006. It’s almost 20 minutes long, but well worth watching. I should have posted this a long time ago.

I think they were looking for the actual psychological phenomenon, and not my analysis of a sitcom. But this post now ranks fourth in this particular Google search. The Internet is a funny place.

Shakespeare’s take on George III would have been well worth the staging. He probably would have also had a go at William III and the Glorious Revolution. We’d probably still be staging the famous Battle of the Boyne scene and debating whether or not Shakespeare was a secret Jacobite.

The two monarchs were Elizabeth I and James I. I’m not really sure what the rest of your question was going to be.

Shakespeare lived between two periods of severe religious strife. The mid-16th century was marked by radical shifts in English religious life described in greater detail here. After Shakespeare’s death, growing religious tension between Catholics and Protestants would lead to civil war and the execution of King Charles I. Compared to these two periods of violence, Shakespeare’s England was relatively stable religiously, though obviously there was still some unrest.

People have looked to Shakespeare’s plays for clues of where he fell on the question, but there’s no concrete evidence either way. Most of his plays are set either before the Protestant Reformation or in Northern Italy (which was solidly Catholic at the time) so Shakespeare – seemingly by design – didn’t have to deal with the religious issue much. One notable exception is Measure for Measure, which takes place in Vienna. If you would like to read Shakespeare’s scenes depicting a Protestant official debating the death penalty with a Catholic novice, you will find them here and here.

King Lear takes place in pre-Christian Britain. The characters make various references to Roman gods such as Jupiter and Apollo.

Queen Elizabeth died in 1603, and Shakespeare had spent much of his career writing popular plays about her famous ancestors. When James I ascended the throne, Shakespeare wrote a play about his ancestors to honor the new king.

Note that the bloodthirsty Macbeth is not one of these ancestors. Rather, the noble Duncan, Malcolm, Siward, Banquo, and Fleance are the ancestors of James depicted in the play. Oh yeah, and the first seven of the show of eight kings. See below.

Not good. Concerned about a prophecy that says that Banquo’s decendants will be kings, Macbeth demands to know whether all that he has done has been for the benefit of another’s line. The witches show him eight kings, and Banquo’s ghost who points to them as his. These eight kings correspond with the eight actual Stuart kings of Scotland. The eighth king is James himself.

Well, I suppose the conventional answers are Romeo and Juliet and A Midsummer Night’s Dream. But I’ve had some success with Othello and Cymbeline which aren’t exactly the first plays that come to mind when I think of the term “age appropriate.” If you can find a way to help students make it their own, the experience will encourage them to appreciate Shakespeare, no matter which play you choose. Go with a selection that you’re passionate about, and maybe your enthusiasm will be infectious. Or, if you’re really daring, describe a few of the plays to the students, and let them choose which one they want to work with.

Ah, Jack Cade – one of Shakespeare’s most under-recognized comic characters. Propped up as a claimant to the throne, the rough-hewn Cade promises to kill all the lawyers and ban literacy. The famous scene is here and you can find Cade monologues here and here.

She’s pretty clearly evil, and I’ve never seen her played any other way, but that’s as far as I can go. I’m sure someone has played her otherwise. Does anyone have another experience, or an idea of an alternate interpretation?

This makes me very curious. Were they looking for my Tempest lipogram? Or did they have another reason to search for this? It seems pretty specific to me. Hmmm.

I leave the task of responding to the remaining search terms to my readers:

It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

There are two John Talbots in Shakespeare, both in Henry VI, Part One. Shakespeare distinguishes them by calling them Lord Talbot (the father) and John Talbot (his son). The son, I believe, only appears in two scenes, found here and here, and doesn’t really have what you’d call a monologue. In both scenes, Lord Talbot wants his son to flee the battle, but the young John Talbot prefers death to dishonor. The father has a larger part in the play, including a number of long speeches throughout the play, but I’m not sure which monologue you’re looking for. Perhaps you could look for a monologue here or here.

Well, that’s entirely subjective, but I will nominate Charles II of Spain who is a classic example of what happens when cousins marry.

For Shakespeare at his most fairy-tale-esque, check out the four Romance plays he wrote towards the end of his career: Pericles, Cymbeline, The Winter’s Tale, and The Tempest. If it’s actual fairies you’re looking for (and even a talking animal), then I’d recommend A Midsummer Night’s Dream. But one play that you might not expect to be influenced by fairy tales is none other than our own King Lear. Check out Love Like Salt to see the retelling of the source fairy tale across a variety of cultures.

It’s YouTube, and if you go there and search, the most relevant find seems to be this claymation version of the play, created by a fifth-grade class. I’ve directed Midsummer with fifth-graders, and even taped it, but the quality of the tape is too poor for posting. I am working on a number of video projects with 8th graders right now, and I hope to be able to share them with you by the end of next month.

This is the scene before the famous balcony scene, and it can be found here. Romeo appears on stage, having just left the party where he has met Juliet, and decides to hide from Benvolio and Mercutio so he can go back and find her. As Romeo’s friends search for him, they mock his preoccupation with love. Finally, they give up and leave. The next scene begins with Romeo’s response: “He jests at scars that never felt a wound.” This would seem to indicate that the action is continuous, and that a scene break is unwarranted. But tradition breaks the scene here, and really, who wants to be the first one to mess with the numbering of the balcony scene?

Henry VIII and Catherine of Aragon used Rapidshare until Henry’s break with the Catholic church in the early 1530’s. The Act of Unlimited Bandwidth was introduced into Parliment in 1532, and made Live Mesh the only permissible file hosting service in England. This enraged the Pope, who sent Henry a papal bull of excommunication as a PDF file via YouSendIt. It was his sixth wife, Catherine Parr, who convinced Henry to use Megaupload, which he did until his death in 1547.

I leave the task of responding to the remaining search terms to my readers:

I subscribe to a service called “SiteMeter” which allows me to see a limited amount of information about my visitors. One thing that I can see is if someone finds my site via a Google search, and what they were searching for.

It’s been a while, but every now and then I check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond to those search terms in the name of fun and public service. All of the following searches brought people to this site in the past week.

Obviously, this depends on how much time you spend reading per day, how quickly you read Shakespeare, and how deeply you want to examine the text. But Macbeth is a play, and is one of Shakespeare’s shorter plays at that. You could probably stage an uncut production in about two and a half hours. A first-time reader should be able to make it through the text in two evenings. Reading it out loud in a group should not take more than four hours, including breaks between acts.

“The Promised End” is the last episode of the Canadian television series Slings & Arrows. As with all Season 3 episodes, the title is taken from King Lear. In the last scene of the play, Lear enters carrying his dead daughter and, in a mixture of delusion and denial, believes it is possible she is still alive. Kent looks at the pathetic scene and laments “Is this the promised end?” After a lifetime of power and majesty, Lear has become an object of pity. And if a king can be reduced to this, what end can the rest of us be promised?

The word analysis makes me think this is a homework assignment, but no matter. Here’s the scene. Othello’s hardly in it, and doesn’t seem all that arrogant to me. Did you mean Iago’s arrogance?

I still get a lot of hits for this. But we should clear up the difference between descendants of the Tudors, and descendants of King Henry VIII. Henry VIII has no known descendants, though the conversation continues. But the Tudor line was founded, not by Henry VIII, but his father, Henry VII. His line continued, not through son Henry, but through daughter Margaret. She was ancestor to all future English monarchs. So there are many, many people descended from the Tudors alive today.

This may be controversial, but I’m not a big fan of teaching King Lear in a K-12 setting. I know there are people who have done wonderful things with it, but I think there are better choices. The themes of the play are really more relevant to more mature audiences. I think kids relate better to young lovers, revenge killings, and battles for power than they do to the strained relationships between aging parents and their adult children. It’s one of the greatest works of literature ever written, but I think it takes some life experience to digest. I’ve only ever taught it once, in an advanced graduate course in Shakespeare, and it was one of the best experiences I’ve ever had teaching Shakespeare.

I admit I could be wrong about this, but I hold this belief firmly. I look forward to one day being convinced otherwise.

This is probably not what you were looking for, but my name is Bill.

I leave the task of responding to the remaining search terms to my readers:

Ladies and Gentlemen, set your DVRs. Via the Shakespeare Geek, we learn that the Ian McKellen King Lear will be on PBS tonight. Check your local listings. Here in New York, it will be on Thirteen at 8pm.

I saw McKellen play King Lear live, and I can highly recommend this production.

The Shakespeare Teacher has returned. We now return you to the blog, already in progress.

Thanks to DeLisa, Annalisa, Claudia, Ro, and Kimi for helping keep the ball in the air while I was away. Contest results will be posted in a few days. But first, we have some business.

This blog just reached 30,000 hits, and that means that it’s time to break out the cake and SiteMeter counter.

For the record, I was the 30,000th hit. I checked the blog last night when I got home from work at 6:22pm. I was checking to see how close we were to 30,000.

At this point in time, the blog’s Technorati ranking is 228,034 with an authority of 26.

Once again, many thanks to all who have visited, and continue to visit.

This blog turned two years old yesterday. Right now, it has a Technorati ranking of 453,743, with an authority of 13. As of midnight, New Year’s Eve, there were 525 posts in 62 categories, and 1,573 approved comments. The site also had 27,055 hits. Many thanks again to all who have visited and also to those of you who have joined in the fun.

I haven’t been around much in the past week, so I’ll post a light Googleplex today. All of the following phrases are search terms that brought people to this website in the past two weeks. As always, I invite readers to respond.

From King Lear:

Back do I toss these treasons to thy head

Shift around the letters, and it becomes:

Knotty shoe side-shots acerbated a host.

It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

Now we’re getting a little closer to the present. King George III was king during the American Revolution; he was the King George we were revolting against. His reign was long – over 59 years! In fact, only his granddaughter Victoria reigned longer, though Elizabeth II is likely to pass him as well on May 12, 2011. But I digress.

George III is a direct ancestor of all subsequent monarchs of England. He was succeeded by two sons, a granddaughter, a great grandson, etc. So I’d imagine he’d be a direct ancestor of pretty much everyone who we consider to be of English royal birth today, though someone with a better grasp of how all of that works may correct me. I’d also imagine that he has many descendants who are not considered English royalty, their connection to the crown being too distant. Again, I am not beyond correction on this point.

The Tudors is for adults.

Cheater!

Many important historical events occurred during the 52 years of Shakespeare’s life, both in the world and in England in particular. Shakespeare was born in 1564, just two months after Galileo, and died on his birthday in 1616 on the same day as Cervantes (actually ten days later).

That’s a lot of history to cover here, but I’ll give you a sampling of five of the more significant English, but non-Shakespearean, events that took place during Shakespeare’s lifetime and how they may have affected Shakespeare. I invite readers to quibble with my choices:

1588 – The English navy defeats the Spanish Armada. This sparked a new era of English patriotism which coincided with the beginning of Shakespeare’s writing career. It’s why a lot of his early plays are Histories, as that was a popular trend at the time.

1603 – Elizabeth I dies without an heir, and is eventually replaced by King James I. James became a patron of Shakespeare’s company, now “The King’s Men,” and Shakespeare will write Macbeth in honor of the new king.

1605 – Catholic conspirators attempt to murder James in the Gunpowder Plot. It is believed that there are references to the Gunpowder Plot in Macbeth.

1607 – Establishment of Jamestown colony in Virginia. The Tempest may have been inspired by the wreck of a ship that was headed for the colony.

1611 – Publication of the King James Bible. Rumors that Shakespeare worked on the project are mere speculation. Stories about Psalm 46 containing hidden messages should be taken with a grain of salt.

The expression “slings and arrows” is from Hamlet, but I assume you’re talking about the Canadian television series. There were three seasons, each revolving around a different Shakespearean tragedy. Julius Caesar was not one of them. The plays were, in order, Hamlet, Macbeth, and King Lear.

He would look like a 517-year-old man holding a giant drumstick.

I leave the task of responding to the remaining search terms to my readers:

It’s time once again to check in on what searches people have done to find themselves at Shakespeare Teacher, and to respond in the name of fun and public service. All of the following searches brought people to this site in the past week.

This feature happens to share its name with the headquarters of Google Inc., located in Mountain View, California. I have no idea what goes on there on Fridays.

I don’t grant your premise, unless you are referring to the historical figure and not the Shakespeare play. In fact, you might say that the play was actually written specifically to appeal to the new king. Witches were a fascination for James, so he’d have been intrigued from the start. Also, James was a direct descendent of both the historical Malcolm and the historical Banquo. Notice that the witches make a prophecy that doesn’t actually come true in the play, which is an odd dramatic convention. They prophecy that Banquo will not be king, but will instead be the father to a line of kings. Later, Macbeth is shown a vision of eight kings along with the ghost of Banquo who points at them for his. The eighth king is meant to be King James, as he is the eighth king in the house of Stewart. The prophecy doesn’t come true in the play; it comes true in the audience.

So far, it’s just Nixon, but the night is young.

You do realize you’re skipping over a whole year, right? No interest in The Tempest with Helen Mirren as Prospero? Not anxiously awaiting the new Hamlet with Screech and the Chocolate Rain guy? Okay. From what I can tell, the Shakespeare film event of 2010 will be King Lear with Anthony Hopkins in the title role and Naomi Watts, Gwyneth Paltrow, and Keira Knightley as his three extremely beautiful daughters. Also, Eddie Murphy – I kid you not – is planning to do a version of Romeo & Juliet. I imagine he will be playing both roles, but that’s pure speculation.

I was amused to see this one because I used the phrase “lambasts Hal” in my first Shakespeare Lipogram, and I chose the verb because it only has the vowel “A” in it. But I wonder if you’re really looking for that scene from Henry IV, Part One, or if you’re actually looking for this scene from Henry IV, Part Two. It’s one of the great scenes from one of Shakespeare’s lesser-known works and was even listed as #38 on my Top 50 scenes in all of Shakespeare.

Hal finds his deathly-ill father asleep, assumes he’s dead, and takes the crown off with him. When he returns, the King’s awake, and lambasts Hal. They reconcile, and Henry gives his son advice for how to be king. The language is… there’s no adjective I could use that you wouldn’t say “Well, yeah, it’s Shakespeare” but the language is particularly rich and evocative in this scene. I did an anagram of a quote from it a while back, but I’m surprised I still haven’t done the most timely quote of them all: “Be it thy course to busy giddy minds/ With foreign quarrels; that action, hence borne out,/ May waste the memory of the former days.” It’s even got a “Q” in it. I’ll have to save that one for a rainy day.

Most definitely. I suggest gathering a group of friends together, dividing up the roles, and reading it out loud. Trust me on this one. That’s how to read Macbeth.

I leave the task of responding to the remaining search terms to my readers: